From Inside the Pod

Pod 25: Mix-Up

2012-02-08T00:00:00.000Z

This is something of an experiment. Remixes are, by-and-large, a rather hit and miss affair. Sometimes they work so well, they eclipse the original version. Other times, they're just, well, nonsense really, baring no resemblence whatsoever to the track it claims to be a version of.

For this podcast, I've strung together a selection of remixes that, while they may not all belong in the former camp, they're far from the latter. There's nothing to link them thematically, but like all my pods (I hope) they offer some diversity in the artists, the styles, and in this case, the new treatments given to the original works.

Bear in mind I'm no pro when it comes to this sort of thing, I just wanted to try something a bit different. Don't expect seamless mixes with the beats of one track flowing almost unnoticeably into the next. This ain't no dancefloor filler neither and it was never meant to be. In fact I tend to shy away from dance mixes - they're so 1990s, aren't they?!

1. Elbow Not a Job (Deadly Avenger Divine Wind remix) [2004, 12" promo]

Damon Baxter, aka Deadly Avenger, worked with a number of indie bands including the Charlatans, Travis and the Manic Street Preachers before he became one of the most in-demand producers and composers in the country. Following commissions a-plenty for adverts, movie trailers and TV shows, he recently released the album Blossoms & Blood. Here, he treats one of my fave Elbow tracks to a feast of electronic wizardry.

2. Lykke Li Knocked Up (Lykke Li vs Rodeo remix) [2008, b-side of 'Use Somebody']

This version of 'Knocked Up' - the opener of King's of Leon's third record - combines both Lykke Li's cover and the original. Mixed by Death to the Throne (DJ and producer James Martin Nelson from Phoenix, AZ.), it is actually a remix of the Swedish indie starlet's cover featuring added elements of the original.

3. Grizzly Bear Cheerleader (Neon Indian Studio 6669 remix) [2009, digital release]

One of the standouts of the Brooklyn psyche-folk outfit Grizzly Bear's highly-lauded third album was 'Cheerleader'. Neon Indian mainman Alan Palomo made two remixes of the track, one wildly psychedelic, the other a more melodic affair. This is the latter and taking nothing away from the original, it is a fantastic version.

4. Ania Zostań (DJ JW remix) [2010, digital release]

I know very little about the remixer of this track having found the track on You Tube. I think (s)he might be Polish, like Ania Dąbrowska whose recent stint as a judge on a Polish TV talent show seems to have delayed the advent of any new material. I like the hip-hop beats in this version, they work really well, and thankfully, there's no rap in the middle of it.

5. Johnny Cash Country Boy (Sonny J Remix) [2008, Cash Remixed]

The prospect of a whole album of remixes of Johnny Cash songs should have made the purists quiver with fear and rage. Many of the results, however, were actually pretty decent. 'Country Boy' originally featured on Johnny's 1957 debut album 'Johnny Cash With His Hot And Blue Guitar'. This brilliant version by Scouser Sonny J reminds me a lot of Junkie XL's treatment of Elvis' 'A Little Less Conversation'.

6. Kirsty MacColl Angel (Apollo 440 remix [edit]) [1993, b-side of 'Angel']

It's almost sacrilege to tamper with anything the late great Kirsty MacColl ever touched. But Apollo 440 actually do a really nice job with this ambient reworking of her 1993 single 'Angel'. That voice is still intact, resulting in goosebumps and moistening eyes (for me at least).

7. Manic Street Preachers Jackie Collins Existential Question Time (St. Etienne remix) [2009, Journal For Plague Lovers Remixes]

When does a remix become a cover version? Well, here's an example. The Manics released this on their remix version of the 'Journal For Plague Lovers' album, but it's practically a Saint Etienne cover with barely anything of the original in evidence (the Welsh flag is therefore used here loosely!) I am glad, however, that Sarah Cracknell replaced the profanity in the lyrics with 'does'. Somehow to hear her swear just wouldn't be right.

8. Grinderman Worm Tamer (A Place to Bury Strangers remix) [2011, b-side of 'Worm Tamer']

A phenomenal remix of Grinderman's scariest track by New York noiseniks A Place To Bury Strangers. It hurtles along at breakneck speed deafening everything in its wake, bringing this remix special to a dangerously chaotic climax.

Mix it up here.

Pod 24: re:Covering 3

2012-01-28T17:05:00.014Z

This might be one of my last posts. If the disheartening response I had to my last effort wasn't enough, the Feds are now shutting down the cyberlockers. Mediafire is still up and running but for how long is anyone's guess. If it goes, so will this blog.

Webbie from Football & Music and #keepingitpeel once again offered some words of encouragement after my last post/tantrum (Gawd bless 'im), but he's the only one who bothered. Therefore, Pod 23: Occupied!! will remain unreleased, so there!

Instead, here's a new covers podcast. I might have another one up my sleeve, plus a couple more I'm piecing together (a remix one and an instrumental one). If I get round to finishing them and putting them up, grab 'em while you can. In the meantime, enjoy this odd selection of reinterpretations and tributes. A few, erm, intriguing bits on this one...

1. The Ukrainians Koroleva Ne Polerma (The Queen Is Dead) [1992, Pisni Iz The Smiths EP]

(original by The Smiths)

As it's Diamond Jubilee year, I thought we'd start the celebrations here. In the midst of one of the deepest recessions the world has known, where hundreds of people have lost or are losing their jobs and homes, where pensions are being cut, public services decimated, prices of even the most basic necessities are continuing to soar, it is deemed suitable to celebrate the uncontested 60-year reign of the UK's wealthiest person by spending millions in public money on tributes, parties and ostentatious nonsense. God save her? Ha! Yet the British public, being the gullible cretins they are, will just lap it up. Oh how we enjoy a good old knees up, eh. If it were down to me, we'd take to the streets and holler Morrissey and Marr's masterpiece at the top of our voices. Here, the title track of one of pop music's most brilliant records ever is fashioned with a touch of East European flair by the Ukrainians who are, as you can probably tell, from Yorkshire! (true!)

2. Terry de Castro America in '54 [2009, A Casa Verde]

(original by Simone White (live version here))

Pete Solowka of the Ukrainians was a founder member of indie legends the Wedding Present. Terry de Castro was the Weddoes' bass player between 2004 and 2010. Nice segue, huh? Just prior to leaving, she released her debut solo album. It comprised covers of songs by friends and artists she had worked with, including her former bands. This superb track was originally performed by acclaimed Hawaiian songstress Simone White, whose 'The Beep Beep Song' has no doubt infected your brain at some point.

3. Johnny Cash I'm On Fire [2000, Badlands: A Tribute to Bruce Springsteen's 'Nebraska']

(original by Bruce Springsteen)

Johnny Cash was one of Bruce's musical heroes. Interesting then that Cash would cover a number of The Boss' tunes over the years. This take on Springsteen's tale of unrequited love is taken from an album commemorating his most enthralling album 'Nebraska'. Oddly, 'I'm On Fire' didn't actually appear on that record, popping up instead on its successor 'Born In The USA'. That record's bombastic title track was originally written for 'Nebraska' but didn't make the cut. Check out what it originally sounded like on Pod 21.

4. The Proclaimers (I'd Go The) Whole Wide World [2007, Life With You]

(original by Wreckless Eric)

Pod 17: re:Covering 2 opened with a cover of a Proclaimers song, so here are the Scotch twins with a cover of their own. Wreckless Eric's debut single remains his best-known work, and is often referred to as a classic of the punk and new wave era. The Reid brothers render a generally faithful take, but with added 'oomph' and broad Scottish accents.

5. Buffalo Tom Age Of Consent [2011, Bones EP]

(original by New Order)

In 1992, Buffalo Tom released one of my all-time favourite singles ('Velvet Roof') and albums ('Let Me Come Over'). But while they continue to produce top class original power-pop, they're not averse to a decent cover version as well. Their stripped-down rendition of The Jam's 'Going Underground' remains a highlight, but this recent attempt at one of New Order's finest early tracks is definitely up there. Appearing on the Manchester legends' second album 'Power, Corruption & Lies', it was written around the same time as 'Blue Monday' and is a great example of early British electronica and how New Order became one of the most influential British acts ever.

6. Blaggers I.T.A. Search & Destroy [1993, United Colors Of Blaggers I.T.A.]

(original by Iggy And The Stooges)

Blaggers I.T.A. were a short-lived punk band fuelled by their staunch anti-fascist leanings, which is what turned me onto them back in the day. I once interviewed them in Torquay, where they not only supported the Manic Street Preachers, but blew them offstage. This instrumental version of the Iggy Pop-led classic from 1969's 'Raw Power' substitutes the vocals with a trumpet and samples and it actually works pretty well. The band flirted with fame briefly in the mid-90s before dissolving. Frontman Matty Blagg tragically died from a heroin OD in 2000.

7. Gruff Rhys A Design For Life [2011, unreleased BBC Radio 2 Session]

(original by Manic Street Preachers)

'A Design for Life' was the first song the remaining Manics wrote and released following Richey Edwards' disappearance and it was the mainstream breakthrough they had been threatening for sometime. Gruff Rhys takes his fellow countrymen's overtly Socialist anthem and infuses it with a country-folk vibe, kind of like if Johnny Cash and Bob Dylan teamed up to do it.

8. The Cardigans Sabbath Bloody Sabbath [1994, Emmerdale]

(original by Black Sabbath)

One of the most famous heavy metal riffs of all time first reared its ugly head late in 1973 as the title track of Black sabbath's fifth album. Written in the dungeon of a haunted castle in Gloucestershire (how metal can you get?), it has been covered by numerous metal acts, including Bruce Dickinson and Anthrax. Swedish popmeisters The Cardigans released their altogether sweeter version of the song on their debut album, which was NOT named after a well-known soap opera...

9. Sunn O))) F.W.T.B.T. [2002, Flight Of The Behemoth]

(original by Metallica)

'For Whom The Bells Toll', a song about the doom faced by fighters in the Spanish Civil War, featured on Metallica's second album 'Ride The Lightning'. Seattle's drone-metal pioneers Sunn O))) never do a straight cover and this is no exception. Their trademark ultra-slow, ultra-low and ultra-heavy sound transforms this thrash metal classic into the sort of thing that can make grown men shit themselves (literally; so loud and low are their live performances, the frequencies are said to make audience members lose control of their bowels!) The full-length version exceeds 10 minutes, but I've extracted a 3½ minute segment which includes vocals, bass and drums, none of which are regular fixtures of Sunn O)))'s sound. I'm not a big fan of any metal sub-genre as a rule, but if it's different, I'm interested. Say what you like, but this is different! Incidentally, the full title of this version is 'F.W.T.B.T (I Dream of Lars Ulrich Being Thrown Through the Bus Window Instead of My Mystikal Master Kliff Burton)'.

10. Chumbawamba Her Majesty [2002, non-album mailing-list only single]

(original by The Beatles)

We end as we began. Paul McCartney penned this little ditty to Liz in 1968 and it appeared at the very end of 'Abbey Road' the following year. Chumbawamba, as you would expect, can't just leave it like that. Appended onto the only verse of the original are new verses and bridges containing a barbed anti-Monarchy message which is arguably even more relevant in 2012 than it was when the Chumbas released this 10 years ago. The Queen may not be dead, but she is "pretty much obsolete".

Get it here!

UnOccupied!

2011-12-22T21:23:00.004Z

I was going to post part two of my 'Best of 2011' podcasts this week, but given that the response to part one has been pretty much non-existent, I have decided that it shall remain unreleased unless I become convinced that people give a shit.

If you want it (and judging by the download figures for part one, you probably don't) then leave a comment. Otherwise, I'll see you in the New Year with a new covers podcast, seeing as that's the sort of thing that keeps everyone happy.

And I thought those who came here were interested in originality in their music........

Pod 22: Occupied!

2011-12-08T20:52:00.007Z

2011: The year the people showed those in charge that we've had enough. In North Africa and the Middle East, the tyrants were ousted from power in the name of freedom. Across the world, "the 99%" occupied major cities, voicing the anger and frustration at being squeezed tighter and tighter while the super-rich 1% get bailouts, bonuses and further tax concessions.

Meanwhile, in England, a bunch of chavs sought free trainers by smashing and burning things.

In the music world, there was plenty to celebrate and moan about too. The charts continue to be clogged up with mass-produced generic r&b pop crap, and "The Industry" is still making vast profits peddling such junk whilst bemoaning the 21st Century methods consumers are using to acquire music. On the other hand, there has also been some amazing stuff released this year and as From Inside The Pod is all about celebrating great music, I thought my final posts of the year should be all about just that.

So, I've compiled two podcasts featuring some of my favourite music of 2011. It's far from comprehensive, and certainly in no particular order. So that I didn't have to post several hours worth of tunes, I have had to omit some absolutely wonderful stuff (Elbow, Emmy The Great, Kate Bush, Black Keys, etc) but did manage to include some real gems.

Here's part one, which while not as stylistically diverse as most of my other posts, still reflects a broad range of moods. Part two will be up around Christmas.

This post is dedicated to Welsh football legend Gary Speed.

1. Pete & The Pirates Half Moon Street [2011, One Thousand Pictures]

The so-called "difficult second album syndrome" didn't seem to hit Pete & The Pirates whose sophomore effort sounds, erm, effortless. One of the top five albums played in The Robster's car this year.

2. Laura Marling Salinas [2011, A Creature I Don't Know]

Remarkably, Laura Marling continues to get better and better. Just how good can this girl get? Her third album is one of the finest displays of song-writing you'll hear for a long time, probably until her next record...

3. Cold War Kids Don't Look Down On Me [2011, Mine Is Yours]

A fuller, more soulful sound graced the Cold War Kids' third album. While it divided the critics, for me 'Mine Is Yours', with its more anthemic pop leanings, proved there is more to this band than preachy lo-fi indie rock. 'Don't Look Down on Me' was one of the bonus tracks, but actually fits really well as part of the 'main album'.

4. Young Knives Running From A Standing Start [2011, Ornaments From The Silver Arcade]

Always fun, the Young Knives added a light pop twist to their usual angular art-punk approach. There were more electronics in evidence on their latest record than on previous releases, yet quality-wise it was right up there. This track stood out for me on first listen and remains my pick of the album. And yes, I can hear 'Paranoid Android' in there too...

5. Bon Iver Towers [2011, Bon Iver]

The highly-rated second album by Justin Vernon displayed a more ambitious approach, with numerous collaborators contributing horns, woodwind, strings and keyboards to his hypnotic sound. The results: a haunting yet absorbing record that has earned him massive chart success across the world and a Grammy nomination in the States.

6. The Joy Formidable The Magnifying Glass [2011, The Big Roar]

I tipped this lot way back on Pod 03 and they haven't disappointed. Massive favourites in the press and on the live circuit, Mold's bright young things have lit up my world this year, earning them a prestigious slot in The Robster's top 5 albums of the year!

7. Tim Booth All About Time [2011, Love Life]

Tim Booth's second solo album (the follow-up to 2004's 'Bone') tackled such topics as domestic violence, famine, the apocalypse and a near-death experience of his own! Which kind of makes you wonder where these buoyant tunes come from... While comparisons with his band James are somewhat inevitable, there is no doubt 'Love Life' is a very different record to anything they released.

8. Björk Mutual Core [2011, Biophilia]

Look, say what you like about that ghastly Gaga woman, but nothing - NOTHING - she has ever done or will ever do could ever compare in the slightest with the genuine creativity and imagination that is evident in Björk's work. The word 'genius' is bandied around all too frivolously these days, but if anyone is worthy of the tag, my little Icelandic pixie surely qualifies. 'Crystalline' is arguably the year's most astonishing single, while 'Mutual Core' is another solid highlight from her eighth solo album. Brilliant.

Get Occupied!

Pod 21: Eleven/Eleven

2011-11-18T23:30:00.009Z

After a flurry of themed pods, it's back to the randomness of normality. The long dark nights have drawn in, it's cold and wet outside, and to make it worse, it's nearly Christmas!

I've pieced together an assortment of tunes to put some colour into your November drabness (for half-hour, at least). A double-bill for December is being lined up, featuring some of my fave records of the year. In the meantime, feast on this little beauty, which contains a sample of the delights I've been feeding my head in recent weeks.

1. Stereolab Lo Boob Oscillator (part 1) [1993, single]

JC over at The Vinyl Villain recently posted an old TV clip of Stereolab performing their best-known track 'French Disko'. I was never a big fan, but this made me go back and re-evaluate their work. In doing so I discovered the magnificent European-retro sound of 'Lo Boob Oscillator' and liked it very muchly.

2. Bruce Springsteen Born In The USA [Nebraska demo] [1982, Lost Masters 1: Alone in Colts Neck (bootleg)]

Bit of a surprise inclusion? Possibly, but it can't be much of a shock to learn that my favourite Springsteen album by far is Nebraska, with its stripped-down, back-to-basics maudlin folk sound. 'Born In The USA', his biting critique on the isolation and poor treatment Vietnam vets faced on their return home, was originally written for Nebraska. It was passed over and ended up, in a completely different form, becoming the title track for The Boss' next album. Here though, you can hear the anguish and the desolation.

3. Cambodian Space Project Mean Visa Kmean Bai [2011, 2011: A Space Odyssey]

I've featured music from all over the world on this blog, but this is the first from Cambodia. It has taken a little while for the country to rediscover its culture since the atrocities of the Khmer Rouge which murdered its musicians and artists. During the 60s, it had a thriving rock & roll scene. Last year, the Cambodian Space Project became the first Cambodian act to release a single since 1975 (the year Pol Pot came to power). Having toured the world this year to rave reviews, expect to hear a lot more from them in the future. The title of the song translates as 'Have Visa, No Have Rice'.

4. Sheepdogs Hang On To Yourself [2007, Trying To Grow]

I have our friend Sean in Thunder Bay, Ontario to thank for this. He recently sent me a mammoth playlist (that I still haven't got through) which included a track by the Sheepdogs. I'm a sucker for some good old country-tinged rock 'n' roll so naturally I loved it. Like the Kings of Leon did in their early days, the Sheepdogs sound as if they should have been around in the early 70s mixing it with the likes of Gram Parsons, Lynyrd Skynyrd and The Band. Actually, they've only been around a few years, this track featuring on their debut album.

5. U-Roy Chalice In The Palace [1975, Dread In A Babylon]

I said last time out that there was a distinct lack of reggae here at FItP, so this is the first step towards fixing that. I should perhaps have left this for the Queen's diamond jubilee next year. I can't think of many better sights than Her Maj sharing a fat reefer with The Originator (aka: toasting legend U-Roy).

"One is totally wasted, mon...", she slurred to her favourite corgi as she took a final puff of the enormous spliff and handed it to an equally stoned Duke of Edinburgh...

6. Dead Can Dance Fortune Presents Gifts Not According to The Book [1990, Aion]

I didn't get Dead Can Dance at first, but then being a mere 20 years old just as grunge was exploding, that's perhaps understandable. But late one night (or more likely early one morning), in a dimly lit room at the end of a house party, someone put 'Aion' on the turntable and it suddenly made complete sense. This track in particular continues to stand out, its lyrics having been penned by Spanish Renaissance poet Luis De Góngora. I suppose in less poetic language, it's all about 'sod's law'!

7. Throwing Muses Shark [1996, Limbo]

The utter genius that is Kristin Hersh recently came to Cardiff with Throwing Muses, their first tour in too many years. And I missed it! Couldn't go. Gutted! Have to make do with the wonderful memories I have of the classic Muses line-up supporting R.E.M. in London in 1989, blowing the several hundred people there present into the middle of the following week! *sob* Life can be so cruel. While nothing can quite make up for this terrible injustice, I'm including this amazing track which was strangely omitted from the band's recent self-compiled 'Anthology' (out now!)

8.Leadbelly Birmingham Jail [1948, Leadbelly's Last Sessions]

Why can't people tell stories anymore? Or at least, why can't anyone tell a story like Leadbelly? His songs have endured for 60, 70, 80 years or more, and this one, his variation of the traditional American folk song 'Down In The Valley', is one of my favourites. It was one of his last ever recordings, sadly passing away the following year.

9. Helen Love So Hot [1994, Summer Pop Punk Pop EP]

Perhaps only Shonen Knife can rival Swansea's Helen Love as the band that most worships, and wants to be, the Ramones. 'Da Brudders' influence is so great, they are frequently referred to in the Welsh combo's song titles and lyrics, and the trademark catchy, often very short blasts of punk-pop are uncanny. Joey Ramone even guested on one of their early singles! Sadly, "Gwair ho, gadewch i ni fynd" doesn't have quite the same ring to it...

10. Jeffrey Lewis Gas Man [2007, 12 Crass Songs]

It's been kind of cool to like Jeffrey Lewis for a while. Hugely prolific (16 albums/EPs in 14 years, many of them lo-budget, self-released affairs), he's beginning to become more and more popular with every new release. Which most likely means he's no longer cool, of course... He has also written and illustrated his own series' of comic books. This song is possibly one of his most angry, but eerily poignant still.

November spawned a podcast - download it here!

Pod 20: #keepingitpeel2

2011-10-25T00:01:00.013+01:00

Today is Keeping It Peel Day 2011. When I decided to take part in the inaugural event last year, I had no idea how well received my contribution would be. Last year's podcast (Pod 08) was bigged up by #kip main man Webbie and was the most downloaded file I'd done until Pod 19 overtook it last week.

It was a lot of fun doing that one, so this year I decided to do something a little different. While 2010's effort concentrated on some of Peelie's favourite artists and records, this year's is made up exclusively of session tracks recorded for his shows. Naturally, there were hundreds, nay, thousands of songs to choose from. Some were pretty tricky to track down, but well worth the effort. Some of the acts never achieved much in the way of commercial success (though proved to be quite inspirational to those that followed), while others went stratospheric. Either way, Peel championed them even when nobody else wanted to know.

As usual, I've stuck to my 10-track, 30-ish-minute rule, but I could have put together hours worth of stuff (my list of what I left off is as fascinating as the list of what made it!) Interspersed amongst the music are some words from the great man himself. What's interesting is the contrast of the young Peel's voice (early to mid-70s) and the more familiar baritone drawl of his later years.

I've decided against a eulogy this year. I said all I needed to say last year, and besides far better people than I will have said it all and far more eloquently. Instead, it's time to let the music do the talking. Oh, and no, I've not included 'Teenage Kicks' or anything by the Fall. Been there, done that...

(And kudos to anyone who can identify the sheet music in the artwork...)

1. Cinerama Quick, Before It Melts (May 2001, 7th of 10 sessions)

Maybe only The Fall made more Peel sessions than David Gedge who recorded a total of 19 in less than 20 years. The first nine were as frontman with the Wedding Present, the next 10 were with Cinerama (though the last of these fell during the latter's transition back into the Wedding Present). This is probably my favourite Cinerama track and tells the story of a man's reluctant infidelity.

2. Robert Wyatt I'm A Believer (September 1974, 2nd of 2 sessions)

He may be one of rock 'n' roll's casualties, but Robert Wyatt is also one of its unsung heroes. Following the accident that left him paralysed in 1973, John Peel compered a benefit concert for Wyatt headlined by Pink Floyd. The following year, after a standoff with stuffy BBC executives, Wyatt eventually won the right to perform his version of 'I'm A Believer' on Top of the Pops in his wheelchair. Apparently, bosses had initially deemed the prospect as unsuitable for family viewing. How times have changed, thankfully. Bizarrely, he has even spawned a new verb: 'Wyatting' - the practice of playing weird tracks on a pub jukebox to annoy the other patrons. Try it...

3. Laura Cantrell Pretty Paper (December 2003, Peel Acres, 5th and final session)

Peel described Laura Cantrell's debut album 'Not the Tremblin' Kind' as "my favourite record of the last ten years and possibly my life". The track 'Bee' from her third album was dedicated to his memory. This beautiful performance of the classic Roy Orbison hit was recorded live in the Peel family's living room less than a year before John's death.

4. Datblygu Rhag Ofn I Chi Anghofio (January 1991, 3rd of 5 sessions 1991)

With shades of The Fall and Super Furry Animals, Datblygu were picked up by Peel through their debut single and went on to record five sessions for him. No one played Welsh-language music on English radio, except our John who also championed Gorky's Zygotic Mynci and SFA. The title, by the way, translates as 'In Case You Should Forget'.

5. Napalm Death Raging In Hell (March 1988, 2nd of 3 sessions)

Who else but John Peel would play Napalm Death (and other bands of their ilk) regularly on the radio? While most acts recorded three or four tracks per session, this lot would have to do upwards of 10 in order to get a fair share of airtime. To Peel, grindcore artists such as Napalm Death were not novelties as they were to many others, but a genuine musical movement worthy of as much respect as anything else he played.

6. Misty In Roots Rich Man (June 1979, first of 9 sessions)

Another of Peel's all-time favourite records was Misty In Roots' debut 'Live at the Counter Eurovision'. His championing of it helped bring roots reggae to a white audience. They became regulars on his show, releasing a compilation of session tracks in 1995. They continue to tour. This also reminds me that there is not nearly enough reggae on this blog. Hmmm, must right that wrong...

7. David Bowie Port Of Amsterdam (January 1970, third of 6 sessions)

John Peel's relationship with the young Bowie is well-known. Peel nurtured the precocious talent from as early as 1967 when Bowie recorded his first session for him. In fact, it is widely accepted that it was John Peel who 'discovered' Bowie and was largely responsible for his ultimate fame. Sadly, the pair lost touch as soon as Bowie exploded into the mainstream in 1973, something John took personally. Here's Our Dave (as he's affectionately known in my house) with his version of the Jacques Brel song 'Amsterdam' (which is based on the melody of the 16th C. English folk song 'Greensleeves' which itself is often mistakenly attributed to Henry VIII).

8. Pixies Tame (October 1988, second of 5 sessions)

The greatest band to walk the Earth in my lifetime! John Peel obviously saw something in them as well, he had them in session five times! 'Tame' is originally from the band's masterwork 'Doolittle', a record which I will probably insist is played from start to finish at a very high volume at my funeral.

9. Queen Great King Rat (December 1973, 2nd of 3 sessions)

Yes, even Queen did Peel Sessions, three in fact. The first two were recorded for a show John presented called 'Sounds Of The Seventies'. The third, in 1977, came after the band had become huuuuuge and included a frankly amazing version of 'Spread Your Wings' (available on the recent deluxe edition of 'News Of The World'). 'Great King Rat' however, remains one of their finest early songs.

10. Son House My Good Gal [edit] (July 1970, only session)

How good is this? The legendary Son House played his only Peel Session in 1970 sounding as if he was possessed! To see him perform was like watching the devil himself - head thrown back, wailing and hollering, guitar practically beaten into submission. His unique style can still be heard in a slew of young upstarts, in particular Jack White who has long cited Son House as one of his biggest influences.

Keep It Peel right here! Then visit Webbie's KeepingItPeel site for more links and tributes.

Pod 19: A Carnival Of Sorts - a tribute to R.E.M.

2011-09-23T22:44:00.014+01:00

REM split up this week. In a way I'm glad. They kind of lost the plot a while ago, and of the last five albums, there's only one I think I can honestly say I truly like - 2008's 'Accelerate'.

But I used to love REM. I mean really, really, really love them. When I was 16, a mate at college lent me the cassette of 'Document'. It was REM's fifth album, but the first thing I had ever heard by them. It blew me away, and for the next 15 years or so, I was a hopeless addict, a "DiStiple". When I think of the time and money I spent tracking down rare early singles, promos, collectables, bootlegs, videos... you name it, if REM had as much as breathed on it, I had to have it.

When Bill Berry left, something changed but I carried on regardless, defending the rather bloated 'Up' album in 1998 to the hilt. But when 'Reveal' came out in 2001, I just couldn't do it any longer. It was a poor, poor record by their standards, and by then, I had discovered the White Stripes who were infinitely more exciting. I hoped it was a one-off, but sadly, 'Around The Sun' was so stupendously dire, it was the first REM record I never bought. The candle was burning out.

Today, I still listen to 'Document', 'Lifes Rich Pageant' and 'Fables of the Reconstruction' (my top 3) with great fondness, and all those 80s records, going right back to 'Radio Free Europe' in 1981, really mattered. REM mean a lot to me for all kinds of personal reasons too (which I won't bore you with here), but the time was right to call it a day.

So, as a mark of respect, I dedicate this very special, hastily-compiled podcast to one of the most important and influential rock & roll bands of my lifetime. A collection of REM covers by a myriad of artists ranging from the sublime to the ridiculous, which in essence I suppose kind of sums up REM's career. I've tried to avoid most of the obvious ones - great songs they may be, but I'm just so utterly sick to death of 'Losing My Religion', 'Everybody Hurts' and 'Man On The Moon' - and in the interests of brevity (a technique REM should have employed a little more often in their later years), I've kept it to 9 tracks which still takes it over the magic 30-minute mark.

The eagle-eyed among you may notice that for the first time there is no Welsh artist here. That's because I couldn't find any good REM covers by Welsh acts. The nearest I got was Feeder's 'Everybody Hurts', but aside from it being one of those aforementioned tracks, it really wasn't very good. However, Gene vocalist Martin Rossiter is Welsh. Not enough to merit a little Welsh flag though...

Finally, I could find no covers of any REM songs post-1994. That in itself is telling...

1. Editors Orange Crush (2006, Q: Covered - 86/06)

original from Green, 1988

R.E.M.'s first Top 40 hit in the UK, it saw them debut on Top Of The Pops. At the song's conclusion, the moronic presenter that evening said: "Mmm, that would be nice on a hot day - 'Orange Crush' by R.E.M.", completely missing that the song was about chemical warfare and the use of the nerve gas Agent Orange in the Vietnam war! Editors' brilliant full-blooded cover was so well liked by Messrs Stipe, Buck and Mills that they returned the compliment and covered the Birmingham band's single 'Munich'.

2. The Decemberists Cuyahoga (2011, free download only)

original from Lifes Rich Pageant, 1986

The latest album from the Portland, OR. folkies was not only heavily influenced by R.E.M., but also featured a certain Peter Buck. This version of 'Cuyahoga' simply oozes the folk traditions the band tries to emulate while staying true to the utterly wonderful original which is one of my faves.

3. The Royal Philharmonic Orchestra Stand (1999, Plays the Music Of R.E.M.)

original from Green, 1988

The RPO have made a number of tribute albums, most of which are patchy, but contain the occasional gem. This is undoubtedly one of those gems. It's so unashamedly upbeat, it makes the original sound almost funereal!

4. Weezer Oddfellow's Local 151 (2008, b-side of Pork And Beans)

original from Document, 1987

Document has to go down as one of the most significant records in my life. It was my epiphany in so many ways. The first time I heard Stipe's rasping voice I was unsure what to make of it, but by the time the album's closer came around, with its almost desperate strains of "FIIIRRRRRRREHOOOOOOUUUUUUUSE!", I was totally convinced this was a band I would adore for a long time to come. Weezer's Rivers Cuomo doesn't attempt to emulate Stipe's conviction, but the menacing muted guitars are retained.

5. Grant-Lee Phillips So. Central Rain (2006, nineteeneighties)

original from Reckoning, 1984

This has to be right up there with the Editors on my list of best R.E.M. covers. While the original shimmers with Buck's Rickenbacker arpeggios, Grant-Lee Phillips' beautiful rendering adds a dark, almost vulnerable tenderness to the song and seems to also incorporate an element of 'Drive' from Automatic For The People.

6. The Moog Cookbook The One I Love (1996, The Moog Cookbook)

original from Document, 1987

I know I said I'd tried to avoid the obvious songs, but I just couldn't resist this. If it doesn't make you grin like a fool, you're probably dead. The Moog Cookbook were a duo who used nothing but vintage analogue Moog synths in their music. They released a couple of covers albums in the 90s, this version of R.E.M.'s breakthrough hit appearing on their debut.

7. Gene Nightswimming (1997, b-side of Where Are They Now?)

original from Automatic For The People, 1992

Despite being touted as a Britpop band, Gene had an awful lot more about them than the vast majority of others in that short-lived scene, releasing some of the best singles of the decade. The Morrissey-esque delivery of Martin Rossiter was definitely suited to Michael Stipe's paen to skinny-dipping in the dark.

8.Pavement Camera (1994, b-side of Cut Your Hair)

original from Reckoning, 1984

Californian indie legends who were simultaneously loved by fans and critics and loathed by the likes of Mark E. Smith, Billy Corgan and Beavis & Butthead! This re-styling of 'Camera' featured on their classic single 'Cut Your Hair' and features some rather challenging vocal work from Stephen Malkmus...

9. Blanche Find The River (2007, Drive XV: A Tribute To Automatic For The People)

original from Automatic For The People, 1992

At one time voted the best R.E.M. song of all time by fans, 'Find The River' closed their biggest-selling and most well-known album, and it somehow feels appropriate to round off this tribute to the band's amazing career. This version appeared on a Stereogum covers project for Automatic For The People's 15th anniversary, and is performed by Detroit's very wonderful Blanche who really do need to release a third album soon. It's been too long.

Grab this Monster here!

Pod 18: European Females

2011-09-10T20:49:00.037+01:00

A little over a year ago, I posted a podcast featuring a host of new, young female singer-songwriters. 'Pod 4: Tattoos, Terrors, Flames and Flowers' proved to be one of my most popular posts and I have continued to feature those, and many more, female artists since.

There was however, just one oversight. Aside from Ireland's Imelda May, everyone on Pod 4 was either from the UK or the States. I have featured artists from all over the world on my podcasts - Jamaica, Slovakia, Japan, Iceland and Canada to name but a few, but there has been a distinct lack of European females, despite there being a wealth of extraordinary talent across the continent.

So to make amends, this poddy has been compiled to exhibit some of the very best lady singer-songwriters from Wales to Russia. As you would expect, it's rather quirky and original. Some of these girls you may have come across before, some may well be completely new to you. But all are definitely well worth a listen. And if you're the sort of person who "doesn't really like female singers" (and I know a few people like that), then with a dismissive attitude like that you probably don't belong here. For everyone else, enjoy.

1. Possimiste Filably [extract #1] (2011, download only)

This 18-year-old Estonian describes herself as an "uber-experimentalist-hippie-bat, who likes to destroy the borders of music genres [...] a mysterious creature who lives in a forest and is always wearing imaginary tinklers in her hair." Awww, sweet. Nevertheless, her music is haunting and desolate, but absolutely beautiful, sounding not unlike Sigur Rós. An extraordinary young lady, for sure. Hear and download her songs for free at her Soundcloud site.

2. Lykke Li Let It Fall (2008, Youth Novels)

One of Sweden's hottest new exports, Lykke comes from a town on the southernmost tip of the Scandinavian Peninsula, but has also lived in Portugal, Morocco, Nepal, India and currently, New York. Attempts to define her music have failed dismally, with terms such as electronica, indie and "wonky pop" (wonky pop?????) being bandied around. Her second album was released earlier this year to critical acclaim.

3. Ane Brun Ten Seconds (2008, Changing Of The Seasons)

Norway's Ane Brun has a unique voice that contrasts wonderfully with the warm, understated sound of her music. She is a big star in her home country and neighbouring Sweden, and recently toured and performed with Peter Gabriel. She releases her fifth album this month.

4. Meinir Gwilym Siglo Dy Sail (2008, Tombola)

Anglesey's Meinir Gwilym is not only one of Wales' most talented musicians, she is also one of the biggest-selling Welsh language acts in history - and she's still only 28. This lovely track is from her fourth (and most recent) album. An even lovelier live acoustic version, complete with English translation, can be seen here featuring Welsh harpist Elinor Bennett.

5. Signe Tollefsen Mama (2009, Signe Tollefsen)

This flame-haired chanteuse from the Netherlands has a voice that could melt solid steel, such is its warmth. Signe is the only act on this podcast to have featured in one of my previous offerings, her imaginative re-working of PJ Harvey's 'Down By The Water' appearing on Pod 11. Her new album Hayes is released this month.

6. Mirel Wagner No Death (2011, Mirel Wagner)

One of my favourite discoveries of the year is Mirel Wagner from Finland. The 23-year-old produces of some of the most ominous-sounding, brooding folk music around. It's spine-tingling stuff at times and it has been getting the critics rather excited. One to watch.

7. Ania L'ultimo (2006, Kilka Historii Na Ten Sam Temat)

One of Poland's biggest stars is Ania Dąbrowska whose retro sound has earned her four number-one albums in her homeland. While she usually sings in Polish, her most recent record, last year's covers album 'Movie' (featuring songs from some of her favourite films, including 'About A Boy', 'The Graduate' and, erm, 'Deep Throat II'...) was sung in English. This track may not feature much in the way of vocals, but she turns Ennio Morricone's original instrumental into the soundtrack of a classy European city in the 1960s, perhaps while sitting out on the piazza with a cappuccino, watching girls strut by in miniskirts and kinky boots as Michael Caine leads a fleet of speeding Mini Coopers though the streets...

8. Tina Dickow Rebel Song [acoustic] (2010, Welcome Back Colour)

Inspired by the likes of Leonard Cohen and Tracy Chapman, Tina Dickow - or Tina Dico as she's known outside her native Denmark - has forged her own sound resulting in huge success at home and on the continent. Having spent seven years in England developing her career, she now resides in Copenhagen and has become one of her country's most celebrated artists. This track originally appeared on her 2009 album 'The Road To Gävle', but this version appears on the second disc of her recent part-compilation album which gave us new acoustic takes on earlier material.

9. Boy Boris (2011, Mutual Friends)

OK, so not a female artist like the others, but actually a collaboration of two. Boy is the new project of Switzerland's Valeska Steiner and musician Sonja Glass from Germany. (Not to be confused with the Norwegian and Canadian rock bands with the same moniker.) Their debut album was released last month, and this brilliant track is a highlight.

10. Regina Spektor Poor Little Rich Boy (2004, Soviet Kitsch)

There is a case for arguing that Regina is American due to her living in New York since she was a child. But she was born in Moscow and her parents are Russian Jews, so she qualifies as European in my book! I was torn between this track and 'Love Affair' from her debut album, but opted for 'Poor Little Rich Boy' because it's slightly more bonkers!

outro: Possimiste Filably [extract #2]

Download

If you want more, the following artists have featured on previous podcasts:

Agnes Obel (Denmark) appeared on Pod 9 and Pod 16

Ólöf Arnalds (Iceland) appeared on Pod 10

Pod 17: re:Covering 2

2011-08-21T19:16:00.021+01:00

I have considered calling it a day. The number of downloads of recent podcasts is embarrassingly poor and I wonder whether it is worthwhile continuing to post for the benefit of two or three occasional visitors. I decided to stick it out a tad longer to test the water one last time.

My two most popular podcasts by far have been #keepingitpeel (pod 08), my tribute to John Peel, and re:Covering (pod 12), a podcast of cover versions. The former had the added clout of being lauded and promoted by Webbie over at Football and Music as he launched Keeping It Peel Day last October. The latter? The result of me having noticed the most popular podcasts up to that point were the ones with most cover versions on them. A case of give the people what they want, so to speak.

So, while we await #keepingitpeel2, here's another pod of covers to see who's still interested.

There are hundreds of tunes that could have made it, but I decided to go with ten you may well have missed...

1. Toy Dolls I'm Gonna Be (500 Miles) (1997, One More Megabyte)

original by The Proclaimers

Best known for their take on Nellie The Elephant which was a big hit back in 1984, Sunderland's Toy Dolls have delighted fans for many years which such classics as the Theme from Rupert The Bear, Livin' La Vida Loca and Kids In America (retitled Kids In Tyne & Wear), as well, of course, as hundreds of their own hilarious ditties. Here, the Proclaimers' finest moment is transformed into a frenetic blast of punk fun.

2. Let's Wrestle The One I Love (2011, b-side of In Dreams, pt II)

original by R.E.M.

Despite hailing from London, Let's Wrestle certainly owe more than a nod to lo-fi Americans such as Pavement and Grandaddy. Their second album came out a couple of months ago, and this interesting cover of the R.E.M. classic featured as the b-side (yes, a good old fashioned b-side) of its lead single.

3. Benjamin Francis Leftwich Rebellion (Lies) (2010, digital single)

original by Arcade Fire

This guy might be just the latest in a succession of young folk singers to appear upon the scene, but at times he rivals some of his more experienced and highly revered peers. Here he covers a track by one of his biggest influences, Arcade Fire. Speaking of which...

4. Arcade Fire Guns Of Brixton (2008, recorded live backstage at Brixton Academy for the BBC's Culture Show.)

original by The Clash

Whether or not you see the recent rioting in English cities as the disaffected voicing its anger and frustration, or a just as a bunch of yobs on the rampage with absolutely nothing meaningful to say (I'm firmly in the latter camp), this classic song has no doubt been cited by some as the soundtrack to the unrest. Here, Arcade Fire replace the Clash's original punk-reggae vibe and turn it into a haunting air which revolves heavily around the band's folk roots. See it here.

5. Al Wilson Lodi (1969, single)

original by Creedence Clearwater Revival

Al Wilson's best known songs are Show & Tell and The Snake, but he also had hits with two covers of Creedence tracks, this one and Born On The Bayou. The original version of Lodi appeared as the b-side of Bad Moon Rising, a version of which by the Blue Aeroplanes appeared on the last all-covers podcast.

6. Snuff Rivers Of Babylon (1997, Potatoes And Melons At Wholesale Prices Direct To You The Public)

original by The Melodians

Harder and heavier than the Toy Dolls, but no less funny, London's Snuff can list a ridiculous array of hilarious covers amongst their canon. Here, their blend of calypso, reggae and hardcore punk is entirely in keeping with their daft antics while retaining an air of familiarity with the song. The Melodians' original, the lyrics of which are lifted from Psalm 137:1, dates from 1970 and became popular through the classic 1972 reggae movie The Harder They Come. However, it was Boney M who made it a worldwide hit in 1978 and it is their version that has become most fondly remembered.

7. Jessica Lea Mayfield Lounge Act (2011, SPiN presents: Newermind - A Tribute Album)

original by Nirvana

There's a load of stuff coming out to commemorate the 20th anniversary of Nirvana's commercial breakthrough album Nevermind. As well as a deluxe edition of the album (which seems to be the norm for every record that's 10, 20, 21, 25, 30 years old right now), there are also numerous tributes. Reggae legend Little Roy has done an album of Nirvana covers (and

from the bits I've heard, a rather splendid effort it is too). There's also a FREE album released by Spin magazine featuring artists covering the tracks from that seminal grunge classic of 1991. On it, the precocious talent that is Jessica Lea Mayfield tackles Lounge Act, transforming a raging guitar-fuelled menace into a sweetly dark country ballad.

8. Kitchens of Distinction White Horses (1994, b-side of Now It's Time To Say Goodbye)

original by Jacky

One of the great crimes of the late 80s/early 90s was Kitchens of Distinction not achieving the commercial success they so richly deserved. Perhaps it was because they were lumped in with the craply-named 'shoegazing' scene by the music press, which immediately got them labelled as miserable middle-class students with floppy fringes. They weren't. White Horses was a German TV show which anyone who grew up in the 1960s will probably have fond memories of. Its theme tune remains one of the best TV themes ever and the Kitchens do a more than admirable take on it.

9. Manic Street Preachers Stay With Me (1994, b-side of She Is Suffering)

original by The Faces

Arguably, the quintessential rock 'n' roll song. Listening to the Manics' first album it was difficult not to actually hear Rod, Ronnie and the boys in at least half of the songs, so this cover really isn't all that surprising. It never featured on the covers disc of their b-sides compilation which makes it quite rare these days.

10. Cud Bohemian Rhapsody (1990, Alvin Lives (In Leeds) - Anti-Poll Tax Trax)

original by... oh honestly, you need to be told???

It may be one of the world's most famous songs, but only the brave dare cover it. Many have tried, with varying degrees of success: The Flaming Lips, Pink, Elaine Paige, Rolf Harris, Weird Al Yankovic, even the Muppets have all had a go. Yorkshire's legendary indie combo Cud, who also made notable versions of the Kinks' Lola, Status Quo's Down Down and Hot Chocolate's You Sexy Thing, don't so much cover 'BoRhap' as shred it, mix up the pieces and reconstruct it with bits of BluTac. Another rarity too, its only release being on an obscure benefit album.

Now download this beast!

Pod 16: Penblwydd hapus i fi

2011-07-17T12:06:00.007+01:00

Hard to believe it's a whole year since From Inside The Pod first broadcast to the world, but 'tis true. There has been mixed success - my John Peel special to commemorate Keeping It Peel Day in October continues to tempt new visitors, while some pods (like a couple of my recent ones) have practically been non-starters. But each one has been typically diverse and genuine in its aim to bring you the music I love and hopeully help you find some stuff you love that you'd never heard before.

And so, on this, FITP's first birthday (and the eve The Robster's fortieth...), I proudly present a podcast featuring 10 acts I have featured over the past 12 months. Have fun tracking down their original appearances on the site. Let's party!

1. Man Or Astroman? The Sound Waves Reversing (1997, Made From Technetium)

It seems fitting that the band who opened the very first From Inside The Pod podcast should open this one too.

2. Super Furry Animals Neo-Consumer (2007, Hey Venus!)

It's no secret that the Furries are my favourite Welsh band and as this is my party, I'm having them on.

3. Muddy Waters All Aboard (1969, Fathers & Sons)

I've been listening to loads of Muddy Waters just lately. He is my fave bluesman and just ticks all the boxes as to what the blues should be.

4. Agnes Obel Philharmonics [live in Copenhagen] (2011, Philharmonics [deluxe edition])

Apparently, Agnes should be pronounced something like "ounesh" as there is no hard 'g' sound in Danish. This is a version of the title track to her album which remains one of the most beautiful records I've heard in recent years.

5. 50FOOTWAVE Clara Bow (2005, Golden Ocean)

One of Kristin Hersh's finest moments this one - and she's had plenty of fine moments in her distinguished 25-year plus career. The first installment of her memoirs 'Paradoxical Undressing' ('Rat Girl' in America) is a compelling read.

6. Big Star Jesus Christ (1978, Third/Sister Lovers)

Even a proud atheist like me has to admit to being touched by this wonderful, wonderful song (which was covered by, among others, Kristin Hersh). Big Star remains one of the most underrated bands of all time, it's just criminal.

7. Gemma Ray Touch Me, I'm Sick (2010, It's A Shame About Gemma Ray)

Gemma's covers album included songs by Buddy Holly, Shirley Bassey, Alex Harvey and Sonic Youth. This track was originally a proto-grunge classic by Mudhoney, but here it is stripped back to just breathy vocals and twangy swamp guitar. A fantastic take.

8. Pylon Crazy (1983, Chomp)

Pylon's friends R.E.M. covered this quite early on, but the original really is the dog's danglies. I love this band.

9. Frank Turner Substitute (2008, Love, Ire & Song)

I only discovered Frank Turner within the last 12 months, but he's fast becoming one of my favourite artists. This is an example of what I love about him. He and I really do have the same feelings about music and back when I were a single chap, this song really could have been my theme tune (had it been written pre-1996).

10. Silverfish Vitriola (1992, Silverfish With Scrambled Eggs EP)

And to finish, a band who I had the pleasure of seeing on two occasions and still have the bruises to prove it! And the tinnitus...

Download it.

Pod 15: Just one more thing...

2011-06-25T17:38:00.014+01:00

The Robster recently appeared on BBC 6Music. OK, so I won Marc Riley's cryptic 'Who's On My T-Shirt' competition and they rang me for a quick on-air chat, but that still counts in my eyes. So my original post was going to include a pic of my prize, a unique t-shirt with a hand-drawn portrait of Jonathan Richman by Spenny of The Travelling Band, along with some stuff about radio in general.

Then Peter Falk died.

I remember discovering Columbo as a kid and I was instantly hooked. It was just so different to any cop show made before or since. The viewer was shown not only how the murder was committed right at the start of the show, but also who did it. The fun was in watching Columbo piecing the evidence together and interrogating his suspects while making it look like he had no idea what he was doing.

These days, every cop/detective show has to be edgy, violent and riddled with cliches. Columbo still stands over all these with its unique take on 'the detective'. The bumbling homicide cop with the shabby mac, beaten up car and aging dog was/is as far removed from any other TV detective as it is possible to get, and I strongly believe that was its appeal. They just don't make TV like that anymore.

This podcast is therefore dedicated to the late, great Peter Falk and his cigar-puffing genius.

Oh, just one more thing - if you want to see my t-shirt anyway, here it is...

1. Stereophonics Looks Like Chaplin (1997, Word Gets Around)

The first Stereophonics album was a lot of fun - energetic, quirky and tunes galore. Sadly, after that, they descended into pub-rock mediocrity. This is one of those superior early tracks.

2. The Burns Unit Send Those Kids To War (2010, Side Show)

Comprised of a collective of songwriters and musicians from Scotland and Canada, the Burns Unit call themselves "the world’s first accidental big band". Among their ranks are folk singers, a producer, pop and hip-hop artists and a former Soup Dragon. This track is simply brilliant.

3. Sparks Your Call's Very Important to Us. Please Hold. (2002, Lil' Beethoven)

Mention Sparks to someone and if their response isn't 'who?', then it will most likely be something about Hitler moustaches or an attempt to sing a certain hit of theirs from 1974. Yet 40+ years on from their inception and they remain one of the most original acts in popular music. This track is from one of their more recent works, an album described as 'career-defining', and widely accepted as their best.

4. Kesang Marstrand Grow A Garden (2008, Bodega Rose)

Kesang Marstrand was born to a Danish mother and Tibetan father. Raised in the USA, she now lives in Tunisia where her rendition of the country's national anthem was adopted as the theme song of the recent president-toppling revolution. Her third album, 'Our Myth', was released last month.

5. Jonathan Richman & The Modern Lovers My Jeans (1985, Rockin' And Romance)

The subject of my triumph on national radio... One of pop's eccentrics, Jonathan Richman is more acclaimed for the first Modern Lovers album from 1976, in spite of it being compiled from various sessions recorded over the previous four years. This track better illustrates the idiosyncratic nature of his music, which has yielded more than 25 albums and influenced a slew of acts such as Frank Black, Weezer, They Might Be Giants and Brandon Flowers.

6. The Fall Victoria (1988, The Frenz Experiment)

This classic, and surprisingly faithful take on one of Ray Davies' finest moments remains one of the Fall's biggest hits. And is it me, or is Mark E. Smith actually... singing? Surely not...

7. Hellsongs Paranoid (2008, Songs In The Key Of 666)

Another cover, though perhaps better described as a reinterpretation. Sweden's Hellsongs play heavy metal classics in an easy-listening lounge style, much like Nouvelle Vague did with new wave. Not so much Black Sabbath as a nice gentle pastel shade on a Sunday afternoon with a cup of tea...

8. Robert Johnson Stop Breaking Down (1938, King of the Delta Blues Singers, Vol. II [1970])

The greatest bluesman of all-time? Probably. The myths and legends that surround the story of Robert Johnson arguably made him as revered and influential as his music did. His recording career lasted little more than 12 months with barely 40 tracks to his name, yet everyone from Led Zeppelin and Eric Clapton to Fleetwood Mac and the White Stripes cite his work as a major influence.

9. Primal Scream ft. Mary Pearce Don't Fight It, Feel It [live] (2011, Screamadelica Live [DVD])

I remember seeing Primal Scream play Screamadelica at Glastonbury in 1992 and wondering just how an indie band could so easily unite rockers and ravers. They were absolutely phenomenal that night. Now, to celebrate 20 years since its release, they've taken the album back on the road and are still blowing audiences away. This incredible version of the dancefloor fave features Mary Pearce on lead vocals in place of Denise Johnson who sang on the original.

10. Clara Rockmore La Vie En Rose (1975, Clara Rockmore's Lost Theremin Album [2006])

Clara Rockmore was the world's first virtuoso theremin player. So good was she at the new-fangled electronic oddity that she was resonsible for much of its subsequent development, working directly with its inventor during the 1930s. She recorded two albums of mostly classical material during the 1970s, but neither were released for many years. I can't decide whether this is beautiful or bonkers, but I suspect it maybe a bit of both.

Download it.

Sunday Correspondent...

2011-06-05T11:13:00.002+01:00

I'm honoured to be the guest of The Vinyl Villain as this week's Sunday Correspondent. I've contributed a short piece towards his series on Great Songs, Crap Videos. It's basically given me the opportunity to write about my beloved Pixies...

Check out the piece here.

Pod 14: Unfinished Infamy

2011-05-29T23:33:00.010+01:00

Moving house is hard. Very hard. This past couple of months have drained me, physically and mentally. It hasn't helped that during this period, I broke my toe playing football and the lack of exercise that followed resulted in the return of back stiffness and the general aches and pains that you get from being unfit and on the cusp of 40 years on this godforsaken planet.

Worst of all, I spent 6 weeks without an Internet connection! Aaargh!!! I won't go into details for fear of being hit with a superinjunction, suffice to say Ryan Giggs was not - repeat NOT - involved!

Last week I played my first match back from injury and attempted to compile my first podcast since my St. David's Day specials back at the beginning of March. Both were difficult. My lack of fitness on the football field showed and I went the entire game without scoring, which is quite unusual it has to be said (though I did hit the bar, and had a diving header go agonisingly close). As for the podcast, well for some reason it hasn't quite grabbed me like the others; inspiration went walkies and I found myself struggling.

Rather than try and contrive it any further, I've left this one at just the nine tracks. It works quite well that way, though I have to admit to it not being my best work. Still, there's plenty to keep you entertained. Hopefully I shall get my mojo back soon, on the pitch and off it.

1. Mozart Overture from Marriage of Figaro (1996, Le Nozzi de Figaro)

My favourite piece of classical music is this uplifting segment from arguably the greatest opera of all time. I can't tell you much about the performers or conductor as I don't have that info to hand. Nevertheless, 'tis a fine rendition which buzzes with energy and a hint of mischief.

2. Obits Run (2009, I Blame You)

Sub Pop's latest darlings, Obits from Brooklyn, blend surf, punk and rock to create a splendid noise which prompted one critic to write: "[they] might just have the stuff to save rock & roll, or at least keep it off life support for a while..."

3. Shonen Knife Bbq Party (2008, Super Group)

Astonishingly, Japan's legendary all-girl trio celebrate 30 years in the industry in 2012. Despite only one remaining original member, they continue to delight with their Ramones-influenced punk-pop. I chose this track to usher in the summer, though May has been cold, wet and generally rather miserable. Even more reason to "pig out, pig out, pig out!"

4. Jessica Lea Mayfield I Miss You (2006, White Lies EP)

Another amazingly talented young female artist, Jessica Lea Mayfield has recently released her second album and is garnering the sort of plaudits that would make even someone far more experienced blush. This track is taken from her debut release, recorded when she was a mere 15 years old.

5. Fugazi Merchandise (1990, Repeater)

One of the greatest and most revered bands ever in alternative music circles. To be honest, I can't say anything about Fugazi that hasn't been said hundreds of times before - so I'm not going to try. Just accept the genius herein.

6. The Slits Difficult Fun (1981, Return of the Giant Slits)

The eclectic sound of the Slits has been described as "a mixture of reggae rhythms, scratchy guitars, anger and mischief" and made them one of the most important acts in the years immediately following punk. This track is from their much overlooked second studio album and I dedicate it to the late Ari Up, frontwoman extraordinaire, who shuffled off this mortal coil last October.

7. Blind Gary Davis Lord, I Wish I Could See (c. 1935)

The Reverend Gary Davis (as he was also known) was a multi-instrumentalist, but was best

known for his unique guitar style which influenced - among many others - Bob Dylan, Jackson Browne and Jack White. Most of his recordings were released posthumously - he died in 1972 aged 76.

8. Dick Dale & His Del-Tones Let's Go Trippin' (1962, Surfers' Choice)

Probably the most famous of all the great surf guitarists of the 1960s was Dick Dale. Being of mixed Eastern European and Middle-East descent, his music was influenced as much by the traditional sounds of those parts of the world as it was by rock 'n' roll. 'Let's Go Trippin'' is regarded as the first surf rock song, but by far his most famous piece is his version of the Greek folk song 'Misirlou' which soundtracked the opening titles of Pulp Fiction.

9. Catatonia Dimbran (1993, For Tinkerbell EP)

To mark the release of the delectable Cerys Matthews' fifth solo album, here's one of the earliest tracks she recorded with Catatonia, and a rather lovely way to finish it is too.

Download it.

Not dead!

2011-05-07T13:58:00.001+01:00

I've been offline for 6 weeks owing to a house move and running battles with the muppets at the UK's so-called leading telecommunications company! Still, all is well now and a new podcast is forthcoming. Stay tuned...

Pod 13.1: Dydd Dewi Sant Hapus 2011 (cyfrol un)

2011-03-01T00:18:00.002Z

OK, for the record... I am not Welsh. I moved here from southwest England 10 years ago and in doing so, found my spiritual home.

The word 'Welsh' comes from the Anglo-Saxon word for foreigner: Waelisc. Following the invasions of the Angles, Saxons and Jutes from the 5th Century onwards, the native Celtic people were considered foreigners in their own land. Those who resisted (and lived) were penned back to the far west of Britain to Wēalas ('foreigner's land') - Wales.

Cymry - the ancient British word for the people of Cymru (Wales) - means 'fellow countrymen' and implies a sense of togetherness and comradeship. And this is where I fit in. For 30 years I felt almost alienated in my own country. It wasn't until I moved to Cymru that I felt I finally belonged somewhere, especially as Wales is often referred to as 'the land of song'. It's as if I was meant to have been Welsh.

Wales has had one of the most thriving and innovative pop music scenes for years. Not that you'd notice in the media. OK, so there was 'Cool Cymru', a brief flirtation with the mainstream press during the Britpop years - which included the ludicrous statement from New York Times critic Neil Strauss hailing my adopted home town Newport to be "the new Seattle" - but on the whole, the London-centric media and music biz tend not to venture this way too often. A 'UK tour' usually consists of the same handful of towns and cities in England and a token Scottish date. Wales is more often than not left out.

Usually when Wales does get mentioned, it's associated with the likes of Charlotte Church, Tom Jones or that bloody annoying Duffy woman. The truth is, there is a rich tradition of great Welsh pop music stretching back five decades, and as we begin a new one, there is plenty of fledgling talent more than willing to continue that tradition.

So, to celebrate St. David's Day, I give you two - yes, TWO - Welsh-themed podcasts. The first of these showcases acts who have already featured on previous podcasts. Revisit the original posts for other tracks by these artists. Mwynhau!

intro: Cwm Rhondda (Bread of Heaven)

Welsh rugby fans are the most sincere and passionate in the world, no argument. It hurts every man, woman and child in the country that their national team is not at its best right now. Still, the way they belt out 'Cwm Rhondda' at every match it sends shivers down the spine.

1. Masters In France Control (2011, b-side of Mad Hatter 7")

previously featured on Pod 07

Still no word on a debut album, but Bangor's Masters In France have been recording a new single this month, so I suppose that'll have to do. This track was the b-side of their last single, the brilliant 'Mad Hatter'.

2. Gorky's Zygotic Mynci Mow The Lawn (2003, Sleep/Holiday)

previously featured on Pod 08

This was what would prove to be Gorky's last single, though they didn't officially split until 2006. Still held in high regard by Welsh music lovers.

3. 9Bach Gwydr Glas (2009, 9Bach)

previously featured on Pod 05

A new album is in the works apparently, and about time too. Until then, we'll have to make do with their beautiful and intriguing debut album.

4. Future Of The Left Wrigley Scott (2007, Curses)

previously featured on Pod 11

I discovered this band rather later than I should have done. They're everything I ask for in an alternative rock band: crunching guitars, mammoth riffs and everso slightly bonkers lyrics. New album due later in the year.

5. Cate le Bon Digging Song (2009, Me Oh My)

previously featured on Pod 04

Cate's quirky pop-folk is typically Welsh-sounding, sitting comfortably alongside the likes of Gruff Rhys, Euros CHilds and Cerys Matthews. That's not to say she doesn't have a sound of her own, though and a follow-up to her warmly received debut is awaited with eagerness.

6. Sibrydion Clywch! Clywch! (2007, Simsalabim)

previously featured on Pod 06

The band's name translates from the Welsh as 'whispers'. Ironically, the song title means 'Hear! Hear!' The album title? Not Welsh at all, but a form of the Arabic Sim Sim Sala Bim, and meaning much the same as Hocus Pocus and Abracadabra.

7. The Joy Formidable Whirring [live] (2009, First You Have To Get Mad)

previously featured on Pod 03

I really like this band. A lot. Their album 'The Big Roar' already made it to my best of 2011 list before February was out! 'Whirring' is possibly their best song and this rousing live version is from their self-released live album.

8. Cerys Matthews Mae Hen Wlad Fy Nhadau (2010, Tir)

previously featured on Pod 02

I've run out of superlatives to describe Cerys. Instead, I should just let her music speak for itself. Suffice to say - if her gorgeous album of Welsh folk songs does not move you to the brink of tears, you're clearly not human. 'Mae Hen Wlad Fy Nhadau', if you didn't know, is the Welsh National Anthem, also known as 'Land Of My Fathers'.

Ei gael yma

Pod 13.2: Dydd Dewi Sant Hapus 2011 (cyfrol dau)

2011-03-01T00:16:00.002Z

The second of my St. David's Day podcasts features a batch of artists past and present who, like those in volume one, illustrate just what this fine, proud little nation has to offer the discerning music lover. Admittedly, there's a bit of a Newport bias here, but this has been a town/city rich in musical talent for many years, no doubt helped by its legendary (but sadly no longer with us) music venue TJ's.

Of course, there's loads of bands I've missed out, many like the Lostprophets, Funeral For A Friend and Feeder you will no doubt be pretty familiar with. But there are plenty more lesser known acts I shall endeavour to bring you over time as I continue my 'one Welsh act per podcast' policy until I'm bored of it!

1. 60 Foot Dolls Stay (1996, The Big 3)

Sadly short-lived Newport band who flirted devilishly close to the big time, but imploded under the weight of their first major headlining tour and the numerous strains it threw at them. Their debut album, from which this brilliant single is taken, is still regarded as one of the few era-defining records of its time.

2. Super Furry Animals Venus & Serena (2003, Phantom Power)

My favourite track by my favourite Welsh band. SFA announced last year that they were on an extended hiatus, which is a real shame because despite their recent lack of commercial success, their records still stood head and shoulders above everything else that came out at the same time. For the record, the 'Venus & Serena' in this song are actually a pair of pet turtles!

3. Dub War Original Murder (1993, Words Of Dubwarning)

Another Newport band, Dub War pioneered their unique blend of rap, ragga and metal almost singlehandedly during the first half of the 1990s. As their popularity increased, so did the so-called 'nu-metal' genre and before you knew it, there were countless imitators who stole Dub War's thunder. After splitting in 1998, vocalist Benji Webbe formed Skindred (who featured on my last post, pod 12).

* apologies for the ropey quality of this - practically impossible to find a better quality MP3 to the one I've had for years. Great track tho'...

4. Badfinger Rock Of All Ages (1970, Magic Christian Blues)

Formed in Swansea as The Iveys, Badfinger found fame through the Paul McCartney-penned 'Come And Get It', but also wrote the classic 'Without You' which is usually attributed to Harry Nilsson or Mariah Carey. The band's history is wrought with strife - a corrupt manager, internal wranglings, record company disputes and two suicides - yet they remain fondly remembered in their home city, a Badfinger convention being held in 2006.

5. Goldie Lookin Chain By Any Means Necessary [pub rock remix] (2009, original version from Asbo4Life)

Newport's GLC either make you laugh out loud or annoy you intensely. In fairness, if you don't know Newport that well, you will probably never get most of the humour. You have to live here to really get them. That said, they did enjoy national success a few years back, even appearing on several reality TV shows.

6. Flyscreen Choppersquad (1998, Girls Can't Make Gun Noises)

Yet another Newport band who showed a lot of potential but split before they had a chance to shine. Very difficult to find their stuff these days so I had to dig up the three CD singles I had hiding in the attic. So glad I did. Remember now why I loved this track when it came out - how can you dislike a song that namechecks Hong Kong Phooey???

7. Manic Street Preachers Prologue To History (2003, Lipstick Traces)

Formed while the members were still at school in the south east valleys town of Blackwood, the Manics became the most consistently successful (and often controversial) Welsh act of the last two and a half decades. My fave Manics b-side, 'Prologue To History' originally appeared on the 'If You Tolerate This...' single in 1998.

8. Euros Childs Dawnsio Dros Y Môr (2006, Chops)

Euros is something of a national treasure, even if some of his solo material since Gorky's Zygotic Mynci split has been what you might call, um, challenging. This sweet little track (title translation: 'Dancing Over The Sea') is typical of his simplest pop moments.

9. The Darling Buds Let's Go Round There (1988, Pop Said...)

Named after the HE Bates novel 'The Darling Buds of May' (from which the title of their debut album was also taken), Newport's Darling Buds were at the forefront of the female-fronted 'blonde movement' in the late 80s alongside The Primitives and Transvision Vamp. This was one of their best singles.

10. The Alarm Rocio Yn Ein Rhyddid (1991, Tân)

Mainstays of the Welsh music scene, Rhyl's The Alarm have sold upwards of 5 million records and, 30 years in, retain a hugely loyal fanbase to this day. They have also been major exponents in the promotion of the Welsh language, sometimes recording versions of their albums in their mother-tongue. This is one such example, a cover of Neil Young's 'Rocking In The Free Word' from the Welsh version of their 1991 album 'Raw'.

outro: Myfanwy

The sound of a Welsh Male Voice Choir is synonymous with the media's depiction of Wales, but in spite of the cliches, a rendition of 'Myfanwy' performed by a top chorus - in this case the world famous Morriston and Orpheus Male Voice Choir - cannot fail to make the hairs on the back of your neck stand up.

Cymru and get it!

pod 12: re:Covering

2011-02-18T21:45:00.022Z

I love a good cover version. To me, a good cover version is one which, while being respectful to the original song, stands on its own merit. There's no point in carbon copies, it needs to add something to the original, not imitate it.

Throughout my podcasts, cover versions have been a common feature. Only two have not included any, and one of the most downloaded features no fewer than four. So I thought a poddy consisting entirely of cover versions might go down rather well.

I love all these reinterpretations as they do exactly what I want them to - breathe new life into great songs. There are some intriguing twists and surprises (who would have thought a goth classic could turn r&b?) and some rousing anthems.

There are loads of potential cover version podcasts just begging to me made. If you enjoy this one, maybe more will follow...

1. The Blue Aeroplanes Bad Moon Rising (1992, recorded for the NME charity album Ruby Trax)

original by Creedence Clearwater Revival

After This Mortal Coil's 'Song For The Siren', this is probably my all-time favourite cover. The legendary Bristolians take Creedence's classic and imbue it with a myriad of guitars (a Blue Aeroplanes trademark), Gerard Langley's instantly recognisable spoken vocals and a swagger utterly befitting a band who at times border on genius.

2. Scott Matthews The Boy With The Thorn in His Side (2006, recorded for BBC Radio 2's

Dermot O'Leary Show)

original by The Smiths

Dare I say I love this gorgeous take on the Smiths' defiant riposte to a disbelieving music industry as much as I do the original? No? Tough - done it! It's a beautifully delicate rendition by the award-winning Black Country singer-songwriter.

3. Diane Birch with the Phenomenal Handclap Band This Corrosion (2011, The Velveteen Age)

original by the Sisters of Mercy

Raised by strict religious parents who strongly disapproved of secular music, Diane Birch rebelled as most teenagers do and became a goth in the 90s. Now an acclaimed r&b artist, she isn't afraid to revisit her formative years and has covered a collection of songs she

enjoyed as a teen. Here she takes Andrew Eldritch's growling 10-minute epic and transforms it into a surprisingly classy succinct soul number.

4. Silverfish White Lines (1990, Fat Axl)

original by Grandmaster Melle Mel

I have the dubious honour of having my hand stomped on by vocalist Lesley Rankine during a

Silverfish gig in 1992. It was an accident, of course, but I think the imprint of her Doc

Martin is still visible... 'White Lines' was Grandmaster Melle Mel's classic 1983 anti-drugs anthem and it remains one of hip-hop's finest moments. Silverfish, as you'd expect,

disemboweled it, drowned it in feedback, chewed it up and projectile-vomited it onto their

first album. Scary as hell, but a lot of fun.

5. Skindred Electric Avenue (2009, Shark Bites And Dog Fights)

original by Eddy Grant

I think everyone who remembers Eddy Grant at his peak does so with fondness. Sure it was pseudo-reggae in a similar vein to UB40, but his songs were way better. 'Electric Avenue' is proof and was a UK top 5 smash on two occasions. Newport's ragga-metal outfit Skindred inject serious power into their version with a typically Welsh flourish.

6. The Soup Dragons Our Lips Are Sealed (1987, Soft As Your Face b-side)

original by The Go-Go's

Go-Go's guitarist Jane Wiedlin co-wrote this song with Fun Boy Three singer Terry Hall. Both bands had hits with it and it has since become quite rightly revered as one of the greatest pop songs of all time. The Soup Dragons covered it for a Peel Session in 1986, a few years before their ill-advised foray into dance music. It ended up on the 12-inch of their 'Soft As Your Face' single the following year and was the highlight of the record. Other versions of 'Our Lips Are Sealed' have been made by Nouvelle Vague, Everclear and, tragically, Hilary & Haylie Duff...

7. R.E.M. Wichita Lineman (1995, Bittersweet Me b-side)

original by Jimmy Webb (link is for Glen Campbell's version)

Unquestionably one of the most highly regarded bands of all-time, R.E.M. are no strangers to

cover versions, but this is one of their best for me. Glen Campbell's syrupy strings-drenched country ballad remains the best known version, but when R.E.M. played it during the Monster tour in 1994, it just sounded more natural and honest, and Stipe's voice is so suited to the song IMO.

8. The White Stripes Rated X (2001, Hotel Yorba b-side)

original by Loretta Lynn

A fond farewell to the one band I really gave a serious shit about in the last decade *sniff*. Jack and Meg made a difference, their raw no-nonsense blues influencing a slew of copycat artists that followed. Their charming version of Loretta Lynn's cutting observation of

small-town views of divorced women is performed live in a room in Detroit's Hotel Yorba (the inspiration of their song of the same name) and features Meg playing tambourine and, erm, cardboard box...

9. Detroit Cobras Insane Asylum (2004, Seven Easy Pieces)

original by Koko Taylor & Willie Dixon

One of my fave tracks by my favourite covers band the Detroit Cobras, who insist on unearthing the lesser-known gems from the world of blues and soul. The original was one of many tracks resulting from the dream collaborations between the King and Queen of the blues Willie Dixon and Koko Taylor.

10. Die Toten Hosen You'll Never Walk Alone (2000, Bayern b-side)

original from the Rodgers/Hammerstein musical Carousel

Written for the 1945 musical 'Carousel', 'You'll Never Walk Alone' has found immortality through football. Synonymous with my beloved Liverpool Football Club since Gerry and the Pacemakers took their version of it to number one in 1963, nothing sounds quite like 40,000 Scousers bellowing it out on a European night at Anfield. Legendary German punks Die Toten Hosen (Fortuna Düsseldorf supporters) do a pretty rousing rendition though, retaining all its anthemic qualities.

Get covered!

pod 11: Illumination

2011-01-24T22:59:00.018Z

After struggling to come up with a single idea for a title for this podcast, I finally settled on 'Illumination' for two reasons. First, it is the title of one of the tracks and acts as a tribute to its singer who passed away prematurely just a week or two ago. Secondly, and perhaps more importantly, it shows the breadth of diversity in music that constantly entriches our lives. Simon Cowell would have us all believe its about young pretty boys and girls, a Christmas number one and loads of money in his bank account. But Cowell can kiss my l

ily-white arse. If you really want to light up your life with music, you have to open your mind, go in search of it and immerse yourself in the wonder of what amazingly talented people there are out there beyond horrible mainstream TV and radio. Ten more examples of such delight are presented here in another illuminating podcast.

1. Rachel Goodrich The Black Hole (2008, Tinker Toys)

It's hard to classify an artist like Rachel Goodrich. Is she pop, folk, indie, retro? Her music seems to cover all these grounds and more. She has a new album - her second - due for release next month.

2. Broadcast Illumination (2000, Extended Play 2 EP)

The sad passing of Broadcast's Trish Keenan this month proved to me once more that life is a fragile thing and that it matters not if you are good or bad, talented or not, it gets us all in the end, sometimes, like Trish, far too soon. Broadcast were/are extremely well respected in electronic-indie circles and this track illustrates beautifully their atmospheric minimalist psychedelia.

3. Joy Division Dead Souls [pitch corrected] (original 1980, Still; this version 2010, A Recycle Sampler)

Thank the lord for nerds. If it weren't for the kinds of music geeks over at thepowerofindependenttrucking, neworder-recycle or smithsrecycle, we wouldn't have brand spanking new remasters of iconic music like this new version of the track which originally appeared on the b-side of 'Love Will Tear Us Apart' pitched too high. These guys are working through the back catalogues of New Order, Joy Division and the Smiths to clean-up and correct the originals far better than the so-called professionals who have continually messed up with each set of official re-releases. Yes indeed, nerds of the music world - take a bow!

4. Signe Tollefsen Down By The Water (2011, Baggage)

Dutch/American singer-songwriter Signe Tollefsen is a rising star in Holland and is an in-demand support act for established artists. Her newest release, a six-track EP, contains intriguing re-interpretations of other people's songs. Nestling between versions of tracks by Michael Jackson and David Bowie is this amazing take on PJ Harvey's 1995 single. It's only January and I think I've already found one of my tracks of 2011.

5. Frank Turner Try This At Home (2009, Poetry Of The Deed)

Like a 21st Century Billy Bragg, Frank's folk-punk is gaining him an increasingly massive following thanks in no small part to his hectic live shows and festival appearances. I love the sentiment of this track - music is in all of us and we could all do something a damn-sight more meaningful and relevant with a guitar than many of today's "rock stars". Do it!

6. James Vincent McMorrow From The Woods!! [edit] (2011, Early in The Morning)

The debut album from this Irish singer-songwriter draws on the "darker, less spoken about aspects of life, solitude, disillusionment" in novels by Roald Dahl, John Steinbeck and F Scott Fitzgerald. Musically, there are obvious parallels with Bon Iver, but James is picking up enough plaudits on his own merits without the lazy comparisons. By the way, I had to tweak this to make it more podcast friendly, using the intro of an earlier version of the song, and cutting out a bit of 'dead-airtime' in the middle. So what you get here is a unique mix!

7. Miranda Sex Garden Lovely Joan (1992, Iris)

Back in August, podcast number 3 included a track by the Mediæval Bæbes featuring Katharine Blake. I said I would post something by her original band - so here you go. Miranda Sex Garden began as an a capella trio busking in Covent Garden singing traditional English madrigals. Over time, their sound mutated into avant-garde gothic darkwave. This track marked the start of that process; the song itself dates from around the turn of the 19th/20th centuries.

8. Future Of The Left Arming Eritrea (2009, Travels With Myself And Another)

Cardiff band formed from the remains of Mclusky and Jarcrew in 2005. Certainly one of the noisiest things I've featured in a podcast to date (rivalled perhaps only by Snuff on Pod 06) but nonetheless rousing and original. Triv question: what is the link between Future Of The Left and Frank Turner (above)? Answer at the end...

9. Saint Etienne Mario's Cafe (1993, So Tough)

It may come as a bit of a surprise to those who think they know me to learn that one of my all-time favourite albums is Saint Etienne's second 'So Tough'. There is something distinctive about the London trio's brand of pure pop that sets them apart from everyone else and I find I can still listen to this record without a hint of irony. This is a wonderful observation of everyday London life as told by the gorgeous voice of Sarah Cracknell.

10. Leadbelly Goodnight Irene (1947, Complete Recorded Works 1939-1947)

Arguably the greatest folksinger/storyteller of all time, Huddie William Ledbetter, with one of his many signature tunes. The origins of the song are disputed, but it is generally agreed that Leadbelly pretty much made it his own, and this version of it, his third, was from the last session he recorded before his death two years later.

Get illuminated here!

And the answer to the triva question: current Future Of The Left bassist Julia Ruzicka was once a member of hardcore punk outfit Million Dead, fronted by Frank Turner.

pod 10: Blue

2011-01-04T20:06:00.009Z

We're told 2011 is going to be a tough year, which is something to look forward to!! Plenty of reasons to feel blue then, but for once in my life I'm going to try to be optimistic. Shit happens, right? What can you do but shrug your shoulders and get on with it? So with that in mind, here's another 10 gems to usher in another 12 months of excellent sounds which, even if things conspire against us, will offer us comfort in our hour(s) of need.

This post is dedicated to the late great Pete Postlethwaite who passed away at the weekend.

1. Isobel Campbell & Mark Lanegan Come Undone [live] (2010, Live At The Barbican)

While the pairing of the former Belle and Sebastian cellist and the ex-frontman of Screaming Trees may have been considered a little odd at the outset, three albums in and Campbell & Lanegan have more than proved they are a match made in musical heaven. This track, originally from last year's 'Hawk' album, was recorded in London during their recent tour.

2. Compulsion Air-Raid For The Neighbours (1994, Comforter)

One of my favourite albums of the 90s was the debut from Irish punks Compulsion, fronted by the man who would later become renowned and in-demand producer Jacknife Lee (R.E.M., Snow Patrol, U2). I saw them live at a gig in Devon while I was working with the support band, and they were really quite phenominal.

3. The Peth Sunset Veranda (2008, The Golden Mile)

Ten-piece Welsh supergroup comprising members of Super Furry Animals, Sibrydion and actor Rhys Ifans (of Twin Town and the latest Harry Potter movie), who once fronted the Super Furries way back before they made a record. If you're wondering, 'Peth' translates from the Welsh as 'thing'.

4. Head Cat Big River (2006, Fool's Paradise)

Rockabilly supergroup made up of members of the Stray Cats, the Rockats and, erm, Lemmy from Motörhead. Yes, strange as it may seems, rock's premier hedonistic frontman grew up listening to the rock 'n' roll greats and made this album as a result of a studio jam with the other members. This is their take on Johnny Cash's classic.

5. Ólöf Arnalds Klara (2007, Við Og Við)

An active member of the Icelandic music scene since the start of the last decade, collaborating with numerous acts including Múm, Mugison and Skúli Sverrisson, Ólöf Arnalds produces the most extraordinary folk music, performed in the troubadour style. Haunting and delicate, yet unnervingly self-assured.

6. Speedball Jr. Inferno (2006, For The Broad Minded)

How about some surf-rock from Belgium, then? Not something you're likely to hear that often, but in Speedball Jr. we get some kick-ass riffs coupled with raw rock energy while keeping with the essence of the genre.

7. Jesse Fuller Whoa Mule (1963, San Francisco Bay Blues)

The original one-man-band, Jesse Fuller worked in factories, farms, quarries, railroads, shipyards and as a film extra before carving out a career in music, his first album being cut in 1958. He is also known for his invention of the 'fotdella', a bizarre musical instrument that allowed him to play a bass line in several keys in addition to guitar, drums, harmonica and kazoo simultaneously. A true genius.

8. Cold War Kids The Soloist in The Living Room (2005, The Mulberry Street EP)

A new Cold War Kids album is on the way, which is always something to get excited about. This is one of their earliest recordings which featured on their debut release.

9. Nouvelle Vague (Get A) Grip (On Yourself) (2010, Best Of Nouvelle Vague: Limited Edition)

Known for their inventive reworkings of British and American new wave classics, Nouvelle Vague have recently turned their attentions to songs of the 80s from their French homeland. However, last year's Best Of featured a bonus disc of rarities that rounds off the first chapter of their career, and this take on the Stranglers debut is one of the highlights.

10. Sister Rosetta Tharpe 99 And A Half Won't Do (1956, Gospel Train)

After making her name as a gospel singer during the 20s and 30s, Rosetta caused a storm when her first recordings surfaced in 1938. Her devout god-fearing followers, outraged at the mix of sacred and secular music, turned their backs on her. That, however, didn't stop her from becoming a smash hit with wider audiences and a massive influence on those who would follow - she is credited with inventing the rock 'n' roll guitar solo a good decade before that genre broke through. Here, she duets with fellow gospel singer Marie Knight.

Grab it!

No offence

2010-12-28T18:36:00.003Z

OK, so my Christmas present to you all upset some people somewhere. First the files were removed from Mediafire, then the entire post - which no longer linked to the files - was taken down. It seems the Internet police were out in force over the festive period.

Shame. Not entirely sure why these people get so sensitive about this sort of thing. What I do PROMOTES music, it makes suggestions, giving people the opportunity to hear something new and investigate things they like further. I do not upload full albums, and many of the tracks I offer are available for free elsewhere on the net anyway - legally!

The music industry perpetually moans about how illegal downloads are harming artists and the industry in general, yet if recent figures are to be believed, the BPI's profits are GROWING at an alarming rate when you consider the current economic climate. Couple this with numerous reports over the past few years about how the biggest spenders on music through legal sources are, in fact, also those who download most music illegally. Don't believe me? Here's an article from 2005 and one from 2009 which supports this. And I think the BBC and the Independent are pretty reliable...

The big problem is greed and the constant failure to come up with a strategy to make music available to consumers in ways the consumers want it. Rather than going all Big Brother on us, the industry needs to reach out to music fans and find out what it is they want and need, how it can be supplied and how to keep themselves up to date in an ever-changing technological environment. But then, isn't this what people have been saying for 10 years or more?

I'll continue with my podcasts until I'm forced to stop. But where one person offering free music goes down, a hundred more crop up. If the industry doesn't wake up soon, the Internet will be the new music industry.

pod 09: Wired

2010-12-05T20:56:00.011Z

I originally wrote a piece about how we have all become slaves to technology, how our minds have become seemingly wired to the myriad of electronic devices we now rely on to live our lives. It's a thought that occurred to me while suffering withdrawal symptoms during the three weeks my PC was undergoing repairs. When I read it back, I really wasn't sure what I was trying to say. And besides, the only reason people come here is to download the podcasts, not to read my inane witterings! Which is fine, that is after all why I set this site up in the first place.

So, that said, it is with great pleasure that I (finally) present my latest 10-song offering. Comments welcome as always. Enjoy.

1. Soundtrack of Our Lives Transcendental Suicide (2004, Origin Vol.1)

Sweden's best band have just released a greatest hits album in their homeland charting 15 years of energetic psychedelic rock at its finest. This track doesn't feature but remains a highlight of their fourth album.

2. Black Grape Tramazi Party (1995, It's Great When You're Straight... Yeah!)

To celebrate the great Shaun Ryder's exploits in the Australian jungle, here he is at his peak with his second band, taking a dig at the then trend for throwing downer-fuelled parties.

3. Agnes Obel Just So (2010, Philharmonics)

Fabulous new singer-songwriter from Denmark who is fast making her mark across nothwest Europe. Agnes' beautifully crafted songs are ghost-like in their delivery and make her a truly intriguing prospect.

4. Earl Greyhound Like A Doggy (2006, Soft Targets)

This Brooklyn trio have just released their second album. Their sound invokes numerous comparisons to the likes of Led Zeppelin, Big Star, T-Rex and Jimi Hendrix. Yes, we are talking about a real 70s rock vibe here - and I mean that in a good way.

5. The Ronettes Baby I Love You (1964, Presenting the Fabulous Ronettes Featuring Veronica)

The greatest all-girl group of all time. 'Nuff said!

6. Gruff Rhys Ni Yw Y Byd (2005, Yr Atal Genhedlaeth)

Despite the Super Furry Animals announcing an indefinite hiatus earlier this year, Gruff is never short of things to do. Over the last couple of years, he has released material with Gorillaz, Sparklehorse, Simian Mobile Disco, and formed dance-pop outfit Neon Neon. The Welsh troubadour releases his third solo album in January. Titled Hotel Shampoo, it is named after the freebies he has collected from hotel rooms from over 15 years of touring. He's even built his own 'hotel' out of them in Cardiff...

7. This Mortal Coil Another Day (1984, It'll End In Tears)

When 4AD Records owner Ivo Watts-Russell hit upon the idea of gathering together some of his favourite artists to record together under the name This Mortal Coil, he probably never reckoned on producing one of the most achingly beautiful records ever made. As near to perfection as it gets.

8. Revillos Hippy Hippy Sheik (1980, Rev Up)

When the Rezillos became the Revillos, they retained their pop-punk sensibilities and laid on the rockabilly element in greater doses. This hi-energy take on the classic rock 'n' roll standard was a highlight of their debut.

9. Lightnin' Hopkins Give Me Back That Wig (1962, Sings The Blues)

Arguably the greatest (and most prolific) bluesman ever, Lightnin' Hopkins remains an enormous influence on musicians around the world nearly 30 years after his death.

10. Johnny Boy Fifteen Minutes (2006, Johnny Boy)

Liverpool-based duo who describe their sound as "Church bells, boy-girl vocals, loops, twists, warps, walls of sound and edgy guitars combined to rekindle the idea of Sandinista!-era Clash having a shootout with Phil Spector". Couldn't have put it any better myself.

Download it.

Normal service...

2010-11-27T16:39:00.001Z

Computer broke. Offline for THREE WEEKS. Suffered serious withdrawal symptoms, I can tell you. But now I'm back and shall be preparing a new podcast as soon as possible.

pod 08: #keepingitpeel - the podcast

2010-10-25T00:32:00.002+01:00

Today we celebrate Keeping It Peel, a special day of tributes to the late great John Peel by bloggers around the world. It is surely an acknowledgement in itself that one extremely humble man is deemed worthy of an internet tribute of this nature, and that his name is known and revered so far and wide.

Enduring an entire John Peel show was often just that - an endurance. But then, John Peel was never one to make it easy for people. The music he played was the music he liked, whether it was the jangliest indie, the hardest drum & bass, the heaviest grindcore, or the deepest, bassiest, strangest reggae.

One thing was guaranteed though - each show was infused with the love, passion and belief in music that John exuded in enormous quantities. We frequently talk of artists' influences, citing numerous other artists they may have taken inspiration from. But let's not forget, John Peel was himself a massive influence on many. Had he not persisted in bigging up reggae throughout the height of punk, would bands like the Clash or the Ruts have been inspired to dabble with the genre? Would acts like the Kills or the Black Keys have received much in the way of attention had Peel not almost single-handedly built the White Stripes up to near global stardom?

OK, you can argue about that as much as you like. In the meantime, I have compiled a special Peel-themed podcast. In truth, this could have contained 100 tracks and still not have been fully representative of the man. I mean, there's no Captain Beefheart, Nirvana, Misty In Roots, Joy Division, Extreme Noise Terror... the list goes on. Maybe next year. But these ten include some of his favourite artists and records. More than half of the artists on here owe their subsequent success to John Peel as no one else at the time was ever likely to play their records. Since his passing, no one has taken up his mantle, which is actually pretty depressing.

1. PJ Harvey Fountain (1992, Dry)

Peel voted PJ Harvey's debut single 'Dress' Single of the Week in Melody Maker, commenting "the way Polly Jean seems crushed by the weight of her own songs and arrangements, [it's] as if the air is literally being sucked out of them." She remained a fave of his long after her ascent into the big time.

2. Gorky's Zygotic Mynci Patio Song (1996, Barafundle)

Peel was about the only British DJ who would play Welsh language music (save for a handful in Wales itself) and Gorky's Zygotic Mynci were one of the acts he championed from their early days. Gorky's have the ignominious distinction of being the only group with eight UK Top 75 singles without ever making the Top 40. This track ranked #8 on John Peel's 1996 Festive Fifty countdown.

3. Don French Lonely Saturday Night (1959, single)

A box of 7" singles was found when John's family was sorting through his belongings after his death. It was a personal collection of the records he would save should his house catch fire. Contained therein were some extremely rare, obscure gems such as this. Don French, a singer so unknown that even a Google search proves virtually fruitless, released only two singles of which this was the first. Peel owned two copies.

4. The Fall Free Range (1992, Code: Selfish)

It's common knowledge the Fall were John's favourite band, being the only act to have its own space in his immense record collection. They recorded 24 Peel sessions in 27 years, a feat no one else came even close to matching. The utterly brilliant 'Free Range' is my fave Fall track by far, but Peely was less discerning when it came to his heroes: "With the Fall you never knew what you were going to get. It may not be what you wanted, but it's the Fall, they're all you need."

5. Bridget St.John Curl Your Toes (1969, Ask Me No Questions)

London singer-songwriter who touched Peel so deeply, he not only produced her debut album, he also set up a record label so it could be released. He once described Bridget St. John as "the best lady singer-songwriter in the country", and her popularity peaked in 1974 when she was voted fifth most popular female singer in that year's Melody Maker readers poll.

6. The Wedding Present Come Play With Me (1992, Peel Session)

Championed by Peel shortly after their debut single back in 1985, David Gedge and his cohorts continued a long association with the great man right up to his untimely demise 20 years later, recording numerous sessions, including three comprising entirely of traditional Ukrainian folk songs! I discovered them in 1987 and still love them to this day.

7. Stanley Winston No More Ghettos In America (1965, single)

Another of those obscure gems unearthed in John's record box. "It genuinely brings tears to my eyes," he confessed. "Don't bother trying to find a copy, I've got one of the few that were ever pressed and I won't be selling it to anyone."

8. The White Stripes Lord, Send Me An Angel (2000, single)

Peel was the first, and for quite a while, the only UK radio DJ to play the White Stripes. Even after the band attained global success, they remained close friends with Peel right up to his death, even playing a show in his living room for a live broadcast. This interpretation of Blind Willie McTell's 1933 classic remains unavailable on any White Stripes album and was ripped from my own scratchy 7" vinyl copy, hence the ropey quality...

9. The Misunderstood I Can Take You To The Sun (1966, single)

Californian pioneers of psychedelic rock. John Peel managed the Misunderstood and produced their records, championing them throughout his entire career. Shortly before his death, he stated, "If I had to list the ten greatest performances I've seen in my life, one would be The Misunderstood at Pandora's Box, Hollywood, 1966. My god, they were a great band!"

10. The Undertones Teenage Kicks (1978, The Undertones)

Yeah, I know it's predictable, but no Peel tribute can be complete without it. In 1978, he was reduced to tears upon hearing this record and went on to play it twice in a row on his show. Peel often rated new bands' songs with 1 to 5 stars. He awarded 'Teenage Kicks' 28 stars! In 2008, a headstone engraved with the line "Teenage dreams, so hard to beat" was placed on his grave.

Download it!

A late addition... this makes me laugh every time I see it. Rod Stewart and the Faces mucking about on Top of the Pops in 1971, with, yes, it's our Peely "playing" mandolin! Classic. Now where can I get a suit like Rod's...?

pod 07: Gold 'n' Brown

2010-10-18T23:15:00.003+01:00

The wife let me in on a secret the other day that I am now going to share with the world. Every morning, as she walks our youngest to school, she makes a special effort to kick all the autumn leaves that have fallen on the corner of our street. She especially enjoys the thought that some poor sod might have just cleared the path only for her to come and kick them around again. What a big kid!

So this podcast's artwork fits with our most colourful season, though in keeping with the non-themed, erm, theme, the songs bear no relation to it at all. Still, they should keep you entertained on a chilly autumn morning on the way to work.

1. Clinic Gideon (2006, Visitations)

With a brand new album out, I thought now would be a good time to give Clinic a bit of podtime. The missus and I have seen this lot, complete with full surgical greens, two or three times and enjoyed them more with each encounter.

2. Masters In France Milgi (2009, Nagazaki EP)

Excellent new band from North Wales who really should make it big in the not too distant future. This is the original Welsh language version of their last single Greyhounds which came out in the summer. New single out next month, see and hear it here.

3. The Jolly Boys Hanging On The Telephone (2010, Great Expectation)

Oh how can you not love this? Legends of traditional Jamaican mento music, the Jolly Boys have been around for the best part of 60 years and still boast some original members! As well as this Blondie classic, their new album also boasts crazy versions of tracks by Iggy Pop, the Stranglers and New Order!

4. The Kingsmen Long Green (1964, The Kingsmen Volume II)

Perhaps best known for their debut hit Louie Louie, the Kingsmen are one of the most famous of all the great American garage bands that proved so influential to generations of acts that followed. They're still playing to this day.

5. Pavement Elevate Me Later (1994, Crooked Rain, Crooked Rain)

Recently reformed to promote the release of a best of compilation, the Californian cult favourites packed it in for good following a bad-tempered show last month. Probably best we remember them as they were at their peak, then...

6. Steve Martin Wally On The Run (2009, The Crow - New Songs for the 5-String Banjo)

Yes, THE Steve Martin of Planes, Trains and Automobiles and The Man With Two Brains fame. He's also an extremely accomplished banjo player and used to include little musical interludes in his early stand-up shows. I just love this.

7. Wire Mannequin (1977, Pink Flag)

From the seminal debut album, Mannequin is an attack on models, beauty queens and the whole shallowness of those industries in general. As relevant 33 years later as the day it was penned.

8. Dave Myers & The Surftones Surf Breaker (1963, Hangin' Twenty)

One of the leading lights of the 60s surf-guitar movement, the Surftones are best known in alt-rock circles for the song Cecilia Ann which was covered rather marvellously by my all-time favourite band Pixies.

9. Admiral Radley Sunburn Kids (2010, I Heart California)

Comprised of ex-members of Grandaddy and Earlimart, Admiral Radley released their debut album a couple of months ago and comes highly recommended.

10. William Shatner Common People (2004, Has-Been)

Need I say anything? It took Shatner 37 years to record the follow-up to his debut The Transformed Man, widely regarded as one of the worst records ever recorded. His sophomore effort was much more warmly received, and this cover of Pulp's timeless classic is a highlight. It features vocals by Joe Jackson with arrangements and production by Ben Folds.

Catch it as it falls...

Keeping It Peel

2010-10-18T23:06:00.000+01:00

A special bloggers' celebration of the life of one of the greatest men in UK/world music history. I hope to have something ready for the big day. Watch this space...

Repost: pod 04: Tattoos, Terrors...

2010-10-09T18:18:00.002+01:00

It has come to light that there was a problem with one of the most popular podcasts I've posted - Tattoos, Terrors, Flames and Flowers. A chunk of the marvellous Polly Scattergood track was mysteriously missing. Well, I've finally got round to fixing it, so here it is in all its repaired glory. The original post now links to the new file.

A new post will come soon. Been busy writing my final course essay. Now that's out of the way, I might get a couple done this month.

pod 06: Appetite for Distraction

2010-09-19T22:15:00.003+01:00

I really should be writing my final course essay. It involves analysing the lyrics of 'Another Girl Another Planet' by The Only Ones and identifying its language creativity and potential literary merits. Instead, I get distracted thinking about records that everyone should have in their collection by law. 'Another Girl...' is most certainly one of them. It is quite simply the greatest pop song ever written. 'Doolittle' by the Pixies is another. 'The Kinks Are The Village Green Preservation Society', Buffalo Tom's 'Velvet Roof' and, of course, the Beatles' 'White Album' are also mandatory.

Quite why this train of thought should lead me into creating a new podcast is unclear, especially as it has nothing whatsoever to do with my reverie. But I don't worry about the whys and wherefores of such things, the fact it exists is enough for me.

Enjoy it, and let me know which record (track or album) you would make it a criminal offence to be without.

1. Sibrydion Femme Mental (2009, Campfire Classics)
One of Wales' best kept secrets. Sibrydion's third album, from which this track is taken, is just fabulous (or fab'las as they say in these parts). Yeah, they may have more than just a passing resemblance to Welsh pop's torchbearers the Super Furry Animals, but you know what? Who cares! I'm going through a banjo-lovin' phase at the mo so this one gets a big thumbs up.

2. Robert Wyatt Shipbuilding (1982, single)
Oh, here's another of the records you must own by law. Elvis Costello's lyrics were about the Falklands War and the paradox of the new optimism of the former shipbuilding heartlands in the north of England, where vessels were built for battle, and the cynical twist of those sending off their husbands and sons to fight and die in those same ships. When delivered by Robert Wyatt, who once fought tooth and nail against BBC producers to perform on Top of the Pops in his wheelchair (and won!), the song becomes one of the most heartbreakingly beautiful to ever grace our undeserving ears.

3. Hell's Kitchen Nice (2006, Doctor's Oven)
One of the oddest, yet strangely endearing new blues bands around comes from the heart of the Mississippi Delta, in... oh hang on... they're from Geneva, Switzerland. Curiouser and curiouser. Beyond that, and the fact they have two dead good albums, I know practically nothing about Hell's Kitchen. Perhaps that's best...

4. Matthew Sweet & Susannah Hoffs A Different Drum (2006, Under The Covers Vol. 1)
What a pairing! One of America's most underrated songwriters and a former Bangle (who still looks absolutely stunning, by the way...) have released two albums of cover versions, one of songs from the 60s (from which this Linda Ronstadt hit is taken) and one of 70s classics. Awaiting volume 3 with great eagerness.

5. The Kinks Holloway Jail (1971, Muswell Hillbillies)
My second favourite Kinks album saw the band in a transitional phase. While Ray Davies' heart was still very much in London, his lyrics had shifted from fond reminiscence to disillusionment, and the music took on an air of the Deep South. Sure enough, the Kinks' future was in America.

6. Jah Division Dub Will Tear Us Apart (2004, single)
From the global hotbed of dub reggae - that's, erm, Slovakia in this case - come Jah Division, one man's mission to dub up anything that's there to dub. Strange stuff, sure, but isn't it more bizarre how it just seems to work?

7. Snuff I Think We're Alone Now (1989, Snuffsaidbutgorblimeyguvstonemeifhedidntthrowawobblerchachachachachachachachachachachayouregoinghomeinacosmicambience)
Another cover. Snuff are masters of brilliant, often hilarious covers, including the theme tunes to 'Whatever Happened to the Likely Lads' and 'Match of the Day', and the Shake 'n' Vac and Bran Flakes adverts. And of course, the utterly amazing title of their debut album remains one of the greatest of all time!

8. Nancy Sinatra & Lee Hazlewood Jackson (1968, Nancy & Lee)
As a heterosexual male who is completely comfortable with his sexuality, I have no problems admitting to enjoying a bit of camp now and again. Nancy and Lee fit the bill right now, this charming cover of Johnny Cash's duet with June Carter being one of their finest moments.

9. Cults Most Wanted (2010, Cults 7")
A brand new band who are being bigged up all over the Internet on numerous blogs, despite having released just a couple of singles. Little appears to be known about them, but their influences clearly lie in the pop and soul sounds of the sixties. This seems to fit really nicely next to Nancy and Lee, don't you think?

10. Broken Social Scene Art House Director (2010, Forgiveness Rock Record)
One of my top albums of the year so far is the fourth offering from this supersized Canadian collective. Their last album was one of my favourite CDs for the car when it came out and this one is not far from that exhalted status.

Download here.

pod 05: Goin' nowhere

2010-08-25T21:11:00.003+01:00

I hate driving. No, really. I really really hate driving. The only thing worse than driving, is not driving. That is being in my car surrounded by static traffic, no movement, just the rattle of increasingly hot engines and no hope of getting anywhere soon. What a complete waste of valuable time. And there is always some total pillock who, despite no one being able to move a single inch, still thinks he can get in front of you. He usually drives a BMW or Audi, have you noticed?

Thank god for a decent car stereo. Mine plays CDs stuffed solid with MP3s. Several hours of sounds whether I'm moving or not. Takes my mind off the idiots who plague my sorry life on a daily basis along the battlefields of the M4 and A48. Hope those poor Chinese were able to entertain themselves for nine days.

Here's a half-hour of traffic-jam relief for you in time for the August Bank Holiday.

1. Grandaddy Disconnecty (2006, Just Like The Fambly Cat)

I love(d) Grandaddy. They refused to play the music industry game and turfed out some great tunes as a result. Sadly, lack of income was a consequence and it ultimately caused them to split a few years ago. This track, one of my faves, was from their final album.

2. Left Lane Cruiser Crackalacka (2009, All You Can Eat)

Awesome energetic punk-blues by one of the hardest-rocking duos around. Kind of how the White Stripes should sound. If only Jack White crawled out of his backside once in a while and stopped arseing around with silly, inferior side-projects.

3. The Beach Boys I'd Love Just once To See You (1967, Wild Honey)

Wild Honey was dubbed "Brian's chill-out album" by the band, and it really was a far cry from the mad genius' obsessive experimentation of previous efforts. His sense of humour was firmly intact though, as this track demonstrates.

4. Gang Of Four I Love A Man In Uniform [Yeah Yeah Yeahs remix] (2005, Return The Gift)

The news that Gang Of Four are about to release their first album in 15 years is something I'm rather excited about. This remix of one of their early classics by New York's premier art-rockers the Yeah Yeah Yeahs benefits from the addition of Karen O's instantly recognisable voice into the mix.

5. Dock Boggs Hard Luck Blues (c.1928, Country Blues - Complete Early Recordings)

Dock Boggs' style of banjo playing coupled with his unique vocal delivery set him apart from other American folk artists of his time. He always brings a smile to my face.

6. Half Man Half Biscuit Tending The Wrong Grave For 23 Years (2003, Saucy Haulage Ballads EP)

It's 25 years since the legendary Wirral outfit released their first album 'Back In The DHSS'. John Peel once called them a national treasure and of course he was always right.

7. 9Bach Yr Eneth Ga'dd Ei Gwrthod (2009, 9Bach)

Their MySpace page describes their music as "wessed up melsh folk songs". Intriguingly listenable, like gothic Welsh folk. Hmmm, is-Adran Llawenydd Cymraeg? (Apologies to Welsh speakers - blame Google's translator...)

8. The Sonics Do You Love Me? (1965, Here Are The Sonics)

Along with the Kingsmen, the Wailers and Paul Revere & the Raiders, the Sonics were at the forefront of the American garage rock scene which became a massive influence on punk the following decade. This take on the Contours' 1962 hit features one of the fastest, hardest drum sounds you'll ever hear on a recording from this era. An amazing track, this.

9. Come Car (1991, non-album single)

Fronted by the rasping growl of Thalia Zadek, Come have been cited as a big influence on many of today's alternative rock fraternity. This was their debut single and is probably as dark and evil as the blues gets. Astounding.

10. Pylon Read A Book (1980, Gyrate)

From the same scene that spawned R.E.M. and the B-52s, Pylon never reached the same level of commercial success as their hometown peers, but their reputation as one of the great underground bands of the new wave era has never been questioned.

Download here and leave a comment.

pod 04: Tattoos, Terrors, Flames and Flowers: the new chicks on the block

2010-08-12T23:22:00.002+01:00

OK, so I know I said last time that I wouldn't do many 'themed' posts, but this one just begged to be done.

Over the last few years, there has been a real proliferation in young female singer-songwriters. It's a strange genre (if you can call it a genre), as many people seem to have a problem with women in pop music, or rather, women in pop music with something to say beyond "ooh yeah baby". Historically though, like it or not, some of the most original and revered acts in popular music have been women - Kate Bush, Janis Joplin, Madonna, Patti Smith, Bessie Smith, Grace Jones, Kristin Hersh, etc.

Of the current crop, there is a real surge in the quality of songwriting, both musically and lyrically. Whereas Simon Cowell's wannabes shriek their shallow, emotionless dross (usually cover versions) like wounded cats, the artists in this podcast have learned the art of creating something new and fresh, with depth and feeling. Granted, it's not everyone's cup of tea. In my opinion, anyone who's really into music doesn't give a crap whether the artist is male or female - music transcends gender. And some of these artists have many of their male counterparts beaten hands down.

1. Gemma Ray Fist Of A Flower (2009, Lights Out Zoltar)

Essex girl Gemma Ray is already on her third album, and has picked up a bucketload of plaudits on the way by moulding blues, country, 50s/60s pop and a touch of weird exotica to create her own inimitable sound.

2. Lissie Bully (2010, Catching A Tiger)

I've already raved about the lovely Lissie, but I can't resist this absolutely gorgeous track, which could prove to be my song of the year.

3. Laura Marling Night Terror (2008, Alas, I Cannot Swim)

If you haven't heard of Laura Marling by now, you're probably dead. Two successive Mercury-nominated albums displaying phenominal songwriting belying her tender 20 years. A big fave of mine, this track.

4. Polly Scattergood Other Too Endless (2009, Polly Scattergood)

From the Kate Bush School of Strange, Polly's debut blended all the boldness and creativity of Ms Bush with some shameless pop, damn fine melodies and rich musical arrangements. Another fave.

5. Emmy The Great M.I.A. (2009, First Love)

My favourite lyricist of all the artists on this selection. Emmy has the knack of taking a motor accident and making it sound like one of the most pleasant, romantic experiences you can have.

6. Imelda May Love Tattoo (2008, Love Tattoo)

One of the best live acts I've had the pleasure of seeing in recent years. Imelda coined the term 'jazzabilly' to describe her sound, a hybrid of jazz and rockabilly infused with a generous measure of Irish fun.

7. Jaymay Gray Or Blue (2007, Autumn Fallin')

New Yorker dubbed the "darling of the New York 'Anti-Folk' scene" by the BBC. New material is due anytime soon apparently.

8. Dawn Kinnard One Devil's Flame (2008, The Courtesy Fall)

Another storyteller, this Pennsylvanian Guinness drinker has drawn comparisons to Cerys Matthews and Martha Wainwright, which is pretty fair to my ears. A new album is about to hit the shelves.

9. Cate Le Bon Mas Mas (2008, Edrych Yn Llygaid Ceffyl Benthyg EP)

Cate's "spectral shanties" (thanks NME) owe more to fellow Welsh warbler Gruff Rhys than fellow females. A welcome addition to the current crop of Celtic cantorion.

10. Joanna Newsom Good Intentions Paving Company (2010, Have One On Me)

If Kate Bush hailed from California and played the harp, she would probably sound like Joanna Newsom, who is a relative veteran compared to everyone else here.

Download it and please leave a comment.

pod 03: The Untitled Third One

2010-08-04T19:38:00.003+01:00

No theme to this one. In fairness, my intention isn't to invent some kind of concept for any of these podcasts, only to deliver a varied selection of cuts to tease and please. Occasionally, there might be some kind of theme running through my choice of songs, like the last one, but not on a regular basis.

Enough yakking, here's the latest bundle of joy...

1. The 22-20s 4th Floor (2010, Shake/Shiver/Moan)

The first new stuff from the 22-20s since their debut album way back in 2005, soon after which they split, only to reform a couple of years ago. They've turned their back on the blues, but still sound good.

2. Dusty Springfield I Can't Wait Until I See My Baby's Face (1967, Where Am I Going?)

How wonderful a singer Dusty was. If this track sounds familiar, it's because the intro was used extensively in Saint Etienne's 'Nothing Can Stop Us'.

3. Muddy Waters Got My Mojo Workin' (source unknown)

One of my all-time favourite recordings this. I think it might have been recorded for a German TV show in the 60s, and if my memory serves me correct, Muddy's backing band included fellow blues legends Sonny Boy Williamson, Howlin' Wolf and Willie Dixon. If anyone knows for sure, please do tell.

4. Gus Gus Polyesterday (1995, Polydistortion)

Awesome track from the Icelandic arts collective's debut album. I just love the laid-back groove to this.

5. Lissie Stranger (2010, Catching A Tiger)

One to watch for sure. The fantastic Lissie could be HUUUUUUGE (if there's any justice in the world). Don't forget where you heard her name first...

6. Mediaeval Baebes Ecci Mundi Gaudium (1998, Worldes Blysse)

Katherine Blake is one of the music world's unsung heroines. Her merrie troupe of faire maidens are set to release a live double album which promises to be a real treat. I might post something by Miranda Sex Garden, Blake's earlier avante-garde outfit, at some point.

7. Creech Holler John The Revelator (2008, The Shovel And The Gun)

"Creech Holler plays the music of midnight whiskey stills and front porches" according to their website. They certainly play gritty, dirty blues as their take on this American folk standard well illustrates.

8. Toots & The Maytals Pressure Drop (1998, Ska Father)

With a 47-year career behind them, and still going strong, Toots and the Maytals have become legends of reggae, ska and rocksteady, notching up more than 30 number one singles in their native Jamaica.

9. The Joy Formidable Cradle (2009, A Balloon Called Moaning)

Bright new hopes from North Wales, this lot are picking up all sorts of plaudits following the release of their debut album last year (for FREE!!!). They recently supported none other than Paul McCartney at the Millennium Stadium.

10. Lonnie Donegan The Wreck Of The Old '97 (1956, Lonnie Donegan Showcase)

What a way to finish. As rock'n' roll broke in America, Britain had skiffle and at the forefront of the scene was Lonnie Donegan. I've long wanted to form a skiffle band and go busking in Cardiff City Centre on a Saturday afternoon in the sun...

Download it.

pod 02: Like A Hurricane

2010-07-27T21:20:00.004+01:00

I used to play a lot of snooker back when I were a lad. Had professional coaching, entered local tournaments every week - 'twas a big thing. But snooker was really 'in' back then. Jimmy White, Dennis Taylor etc were the new breed of characters that followed the legendary Ray Reardon, John Virgo and, of course, Alex "Hurricane" Higgins.

I was never the Hurricane's biggest fan, but his influence on the game was undeniable. Jimmy White, who adopted a similar speedy style of play was nicknamed "Whirlwind" by way of a tribute. Controversial at the best of times, Higgins led a chequered career; at times brilliant, at worst a disgrace to the game - but never dull.

This was back in the days before the health fascists started ruining our lives. Snooker, like darts, was full of fag-smokin', beer-swillin' blokes like the ones you met in the pub. Sadly, the effects of this lifestyle hit some of these guys pretty badly. Alex Higgins had been suffering from throat cancer for ten years before his death last week. He cast a sorrowful figure compared to his heyday. Gaunt, ghostlike and looking like a man twice his age, he passed away a pale shadow of his former self.

Love him or hate him, the former twice-World Champion deserves a tribute for what he did for the game of snooker, helping to bring it to a mass television audience and filling snooker halls all over the country. So here's my contribution - a kind of snooker-themed podcast covering all the colours on the table. It was put together pretty quickly so it's far from perfect - but then, so was the Hurricane.

Intro: Bill Bailey Snooker Theme (2005, Cosmic Jam)

My favourite comedian covers the theme tune that all snooker lovers of my time will remember fondly...

1. Blyth Power Signalman White (1995, Paradise Razed)

Striking the cue ball into the pack, Joseph Porter's folk-punks are more associated with cricket pitch than the green baize - they host an annual rock and cricket festival every year!

2. Cardiacs Red Fire Coming Out From His Gills (1995, Sing To God - Part Two)

First red down... Cardiacs are like Alex Higgins, you either love'em or hate 'em. I think they're ace, but the missus is flatly in the latter camp. Nice angle on the black.

3. Howlin' Wolf & friends The Red Rooster (1971, The London Sessions)

Another red sunk... the legendary Howlin' Wolf recorded this version of his signature tune backed by the likes of Eric Clapton, Steve Winwood, Bill Wyman, Charlie Watts and Ringo Starr. Screw back off the black...

4. The White Stripes Red Death At 6.14 (2001, non-album track) *

Final red potted. One of the duo's most unusual tracks, recorded for an album of Detroit bands compiled by Jack White himself. Clearance on.

5. Clap Your Hands Say Yeah The Skin of My Yellow Country Teeth (2005, Clap Your Hands Say Yeah)

First of the colours. A highlight from the Brooklyn outfit's debut. They've been quiet of late. Strange but true: drummer Sean Greenhalgh was once the singer of a Guns 'n' Roses tribute band! Off the cushion and nicely on the green...

6. The Jam Pretty Green (1980, Sound Affects)

And it's down. Of course, it's all about money these days. It was all about the enjoyment of taking part when I was a boy you know...

7. Chuck Berry Brown-Eyed Handsome Man (1957, After School Session)

And there goes the brown. The original wild man of rock 'n' roll. I reckon if Chuck Berry played snooker, he'd have been like Alex Higgins. Perfect angle on the blue...

8. Cerys Matthews Blue Light Alarm (2006, Never Said Goodbye)

And it's rolled in nicely. An absolutely gorgeous track from the truly wonderful Cerys, who can't put a foot wrong in my eyes. She's also the obligatory Welsh act on this podcast. Can we sink the pink?

9. 50FootWave Hot Pink, Distorted (2006, Free Music EP)

Oh my word, it's been blasted down the hole! When Kristin Hersh puts the acoustic away, digs out her Les Paul and plays with the boys, she rocks!!! And a perfect finish on the black...

10. Woody Guthrie Little Black Train (1944, The Asch Recordings)

A great clearance. American folk music's most famous son and staunch anti-fascist activist was nicknamed 'the Dust Bowl Troubadour' due to the subject matter of his songs reflecting his experiences of the Great Depression in the 1930s.

11. The Blue Aeroplanes My Hurricane (1991, Beatsongs)

Bristol's finest round off our fond farewell to one of the most notable snooker stars of all time.

Download here

Alex Higgins Wikipedia entry

(* There's a flaw in the White Stripes track I only noticed after I played back the whole compilation. Too late (and difficult) to fix it, so we'll have to live with it I'm afraid.)

pod 01: Debut

2010-07-17T22:13:00.003+01:00

The intention: to offer regular (hopefully) podcasts from the dark side of the stratosphere for your listening pleasure.

To start with: my debut podcast. An experiment, indeed, but not a bad one. Future ones can only get better.

Content: 10 awesome tunes welded together seamlessly as a single high quality MP3 file for your iPod or similar digital audio playback device. Tracks are:

1. Man Or Astro-Man? Escape Velocity (Project Infinity, 1995)
The legendary Alabama sci-fi-surfers with a track from their third album.

2. Henry's Funeral Shoe Henry's Funeral Shoe (Everything's For Sale, 2009)

Virtually a local band to me. Rockin' blues duo from Ystrad Mynach.

3. XTC Making Plans For Nigel (Drums and Wires, 1979)

Great single from one of Britain's most influential bands.

4. Big Star September Gurls (Radio City, 1974)

Everyone should love Big Star, really they should. This song has been covered numerous times by the likes of the Bangles, Teenage Fanclub and the Searchers.

5. Grizzly Bear Two Weeks (Veckatimest, 2009)

Extraordinarily highly-rated Brooklyn outfit. This is a highlight from their third album which graced a great many Best Of 2009 critics polls last year.

6. Giant Drag High Friends In Places (Hearts and Unicorns, 2005)

Filthy, dirty, scuzzy indie pop. That elusive second album is long overdue...

7. Hillbilly Moon Explosion Johnny Are You Gay? (Introducing the Hillbilly Moon Explosion, 2002)

British rockabilly of the highest order.

8. Black Rebel Motorcycle Club Conscience Killer (Beat The Devil's Tattoo, 2010)

One of my favourite bands. Latest album delivers more top-notch blues-infused rock 'n' roll.

9. The Zombies Sticks And Stones (Begin Here, 1965)

Sadly short-lived at the time, but managed to crack North America, Europe and (oddly) the Philippines...

10. Jim Jones Revue - Hey Hey Hey Hey (The Jim Jones Revue, 2008)

If ever proof was needed that 6Music is the most valuable radio station around, then the fact I discovered this lot on Marc Riley's show one evening while making tea is all you need to know. If Chuck Berry, Little Richard and Jerry Lee Lewis formed a punk band, this is what they would sound like.

And so that's it. The final sample is lifted from another Man Or Astro-Man track which obviously lifted it from some 60s B-movie or something.

Get it here.